Clive Rosengren and Sharon Dean Interview Each Other

South Dakota native Clive Rosengren is a veteran actor with stage, screen and television credits that include the Great Lakes Shakespeare Festival, Ed Wood, Twin Peaks, and Cheers. He is the author of four novels featuring actor/private investigator Eddie Collins: Murder Unscripted, Red Desert, Velvet on a Tuesday Afternoon, and most recently Martini Shot.

Sharon Dean grew up in Chelmsford, Massachusetts, received a PhD from the University of New Hampshire, taught at Rivier University in Nashua, New Hampshire. Having written four academic books as a professor, she has reinventing herself as a writer of mystery novels. Her thought provoking whodunits featuring literature professor Susan Warner include Tour de Trace, Death of the Keynote Speaker, and Cemetery Wine. Her most recent book is Leaving Freedom, a tale of a writer’s spiritual and personal journey from Massachusetts to Florida to Oregon.

Clive and Sharon are members of a writing group in Ashland. Literary Ashland asked them to interrogate each other about their work and writing process. Enjoy this innovative double interview.

Sharon Dean: Clive, how did your background as an actor benefit your writing? Were there any habits you had to overcome?

Clive Rosengren: One of the characteristics of the novels I’ve tried to accomplish is to have Eddie with one foot in the PI business and the other foot in the Film/TV business. So having spent 18 years in Hollywood in and around lots of sets gives me the opportunity to rely on personal experience. Habits? Trying to keep from being too cynical about the whole Hollywood circus.

Sharon: You situate Eddie so well in a Hollywood you know. Have you ever thought of bringing him into rural South Dakota where you grew up? What kind of challenge would that present?

Clive: As a California licensed private investigator, Eddie Collins wouldn’t be able to ply his trade in another state, but would have to be considered an amateur sleuth. I don’t see him going that route, at least for now. And except for some cousins, I don’t really have ties to South Dakota anymore. However, back in October, the recovering actor in me fell off the wagon and worked on a small, independent film project up at Hyatt Lake in the mountains above Ashland. While there, the germ of an idea popped into my head that would find Eddie—possibly as a favor to a director friend?—participating in a small film, during which something happens that would lure him into the need for a PI, and take him out of the confines of Los Angeles. Stay tuned.

Sharon: What’s the easiest part of writing for you? The hardest?

Clive: Easiest part? Dialogue, without a doubt. Hardest? Hmmm…probably forging a plot.

Sharon: What motivates you to keep writing in an era when so many good novels like yours don’t get the notice they deserve?

Clive: Well, first of all, thank you for the generous comment. Since the creative urge of my acting career has become almost a rumor, I’ve found it necessary and enjoyable to fulfill it with the writing. I didn’t venture into this arena with the intent of making a lot of money or becoming a best seller, but what keeps me motivated is a character I like (and am still learning more about) that I can put into the entertainment business which I’ve essentially left behind.

Clive Rosengren: Sharon, your first three novels dabbled in crime and mayhem, so what made you want to stray from that milieu in your fourth book? 

Sharon Dean: Leaving Freedom bridges the gap from my academic career to my foray into fiction. I wanted to write something like it before I got caught up in my Susan Warner mysteries. My scholarship involved writer Constance Fenimore Woolson, who traveled from Ohio to Florida to Venice as she became one of the leading novelists of the nineteenth century. She had a fraught relationship with her sister and was a caregiver to her mother.  I wanted to use these relationships to create a novel. When I started, I thought I might have my character Connie to go to Venice and jump out a window onto the pavement by a canal as Woolson did. But this felt too extreme. So I decided to bring my character to Oregon, especially to Ashland with a side trip to Rajneeshpuram. It was time for me to write about places beyond New England. Woolson, by the way, also generated my idea for Death of the Keynote Speaker

Clive: In the book you’re working on now, you’ve gotten back on the path of murder and mayhem. Your protagonist in this book is a librarian. Any thoughts of embarking on another series with this character? 

Sharon: Yes. Three, possibly four, books in this series. As a librarian my character, Deborah Strong, can move around. She’s in New Hampshire right now and will have to be in places that I know well. I’m thinking some kind of library retreat, still in New Hampshire–a locked room setting similar to what I did in Death of the Keynote Speaker; New Orleans where her friend Rachel lives and which I know from when my son lived there; Ashland, which I know better and better every day. A series will evolve as it will.

 Clive: Do you do a detailed background on your characters? Or do you pattern them after people you have known?

Sharon: People equate me with my character Susan Warner because she’s a retired English professor. They equate her daughter, Erika, with my daughter. The first name initials don’t help. They share some of our characteristics but they are not models of us. I’m finding that I need an image of a character as a starting point and I often find that image in someone I know or have seen. For my new protagonist, Deborah Strong, I found a model in a candid photo in my daughter’s year book. Right look, right era for the backstory of the novel. There the resemblance stops. The characters take on lives of their own as my novels develop.

Clive: As far as you’re concerned, what is the primary benefit of belonging to a writers’ critique group? Is there something about belonging to a writers’ critique group that doesn’t work for you?

Sharon: Our writer’s group is exactly what I need to improve my writing. The twenty page submissions every two weeks helps me stay disciplined. We all write different kinds of mysteries: noir, PI, cozy, international thriller. Reading and responding to different styles stretches us. Leaving Freedom branched away from what is technically a mystery genre, and I appreciated how everyone stuck with me through what is the longest novel I’ve written. The group works because we’re honest with each other. I’m pretty tough-skinned, so I always appreciate critiques. A group where people are afraid to criticize or can’t accept criticism would be disastrous for me.

Ed Battistella: Thanks to both of you!

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An Interview with Kayla Bush

Kayla Bush is a 2013 graduate of Southern Oregon University with degrees in English and Theatre Arts. She taught in China from 2015 – 2016.

Ed Battistella: Tell us about the program you taught in?  How did you find it?  What was the application and training process like?

Kayla Bush: The program I taught in is called EF for English First. It’s an international company with schools in several countries. They have their own teaching books, lesson plans and style already laid out. They are an after school, weekend and summer/winter break type of English school that is an extra addition to a child’s primary schooling. The student range in age as young as 3, up to 18, though the older students are more rare. A family friend had mentioned it to my boyfriend who was looking at working abroad, so he looked into it and found an application online. The application process was simple enough, they required a 4 year degree, but it didn’t have to be in English. They asked for pretty basic information with an attached resume and then it mostly came down to the interview, which was interesting. They send you an excerpt from one of their teaching lessons and ask you to prepare a type of lesson for the interview, which ends up being you pretending your interviewer is a child student, complete roleplay situation. It was a bit awkward and the lesson was out of context, but they give feedback and have you try again adjusting to what advice they gave you. 

EB: How did you get interested in teaching abroad?

KB: I’ve always loved traveling, so when the opportunity for this job presented itself I saw it as not only a way to travel and see a part of the world I might not normally, but also a good opportunity to see if teaching was something I was actually interested in.  

EB: Did you experience any sort of culture shock?   

KB: There was definitely a level of culture shock involved. I’d traveled before, but never to China. I knew ahead of time what type of things to look out for, but I was exposed to quite a bit on my first day. My visa was delayed so I arrived the week after the rest of my group and was thrown in to house hunting and training almost immediately, whereas the others got a bit of sightseeing and cultural introduction. I settled in pretty quickly overall, but did experience some homesickness. 

EB: What was the experience of managing a class like?

KB: This was probably the most difficult part for me. I realized it was super important to establish ground rules on day one and not to start out too soft, because if I did the kids would just walk all over me and it could be a real challenge to control. Especially because the classes I taught were after school and weekends, so to the students it’s more like a fun extra curricular than mandatory schooling. 

EB: Did you have much experience communicating with English language learners prior to going abroad?

KB: Not specifically. I have some friends that were exchange students, but we didn’t ever talk much about their English learning process. The program I taught with though had everyone take a week long TEFL course before we started at our schools, so we got some training on what to expect and it was tailored specifically to Chinese students and their tendencies. 

EB: What was your most surprising experience?

KB: Hmmm… most surprising? Probably the fact that I bought a scooter to ride to work when I didn’t take the subway. I loved it, and it was a lot faster, but like the locals I didn’t wear a helmet and in reflection I’m grateful to have not seriously injured myself. It was a great experience though because scooters are a big part of living in Beijing and I feel like I really got a true Chinese city experience by doing it. 

EB: Is there anything you wish you had known or known more about before you started?

KB: I wish I knew more about the structure of the program I was teaching in and what is was actually like. The videos they sent out weren’t really an accurate representation of the environment. I also wish I knew more about the Chinese business model, their way of achieving success and the expectations in the workplace. Though where I worked had a lot of Western business influence, there was still a very particular way they wanted you to teach your class, the energy you bring to the room and the way you manage a classroom. There were Open Door class at the end of each course where the parents would watch you teach and see their kids speak English. It’s a fun idea for them to see progress, but they also fill out feedback forms for the teacher. In order to move up and be promoted you have peers watch you teach and give you feedback which they give to the Director of Studies who ultimately decides your score, which affects your pay. It was a really interesting system that I had no idea about going in. 

EB: How did the experience of teaching abroad influenced your career plans?

KB: So far it hasn’t influenced my career plans much, but it has definitely given me something on my resume that every employer wants to talk about. It doesn’t matter what field the job is in, employers want to know about the experience and what you’ve taken from the experience in terms of cultural awareness, adaptation, diversity and understanding. It’s been a really great tool for me in that regard. 

EB: Were you able to learn much Chinese?  Had you studied Chinese before?

KB: I had a friend who lived in Beijing previously and she taught me some key phrases. Otherwise, I didn’t know any Chinese. I’d studied Japanese in school, so I could read a few choice words, but it didn’t help me at all in speaking or listening. Ultimately I didn’t learn as much of the language as I could have, being in an English teaching environment, most of the Chinese local teachers wanted to practice English, my expat friends spoke English and we were told to only speak English in the classroom to create a fully immersive environment. So if you really want to learn the language you have to hire a Chinese tutor and spend the time and money really learning it. Some of the local teachers will agree to be a language partner, but that can be difficult to arrange. I learned enough to travel, eat, get directions and haggle, which was pretty good. I didn’t end up hiring a tutor, but I had friends who did and they learned a lot. 

EB: Any suggestions for others considering teaching abroad?

KB: Do it if you can. Don’t believe the stereotypes about how the children of that culture are going to act, because it’s probably not accurate. And really do your research about where you want to go. Make sure it’s a country you will enjoy being in, and a program that makes the process easy for you to get there and live there. 

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An Interview with Kayla Rapet

Kayla Rapet, 2012 graduate in English, received her Master’s degree in education in 2015. She is the Minority Outreach Programs Navigator for the SOU School of Education.

Ed Battistella: Tell us about the program you taught in? How did you find it? What was the application and training process like?

Kayla Rapet: My husband and I taught at Avalon Academy in South Korea. We went through Adventure Teaching–a group we would highly recommend. They guided us through each step of the process so that we knew exactly what we were doing from the first day we applied to the day we landed at Busan National Airport.

EB: How did you get interested in teaching abroad?

KR: Well, I learned that I could travel, gain invaluable teaching experience, and earn a salary generous enough to put a dent in my college debt; it’s just such an enticing opportunity. I can see why it’s becoming so popular.

EB: Did you experience any sort of culture shock?

KR: I did. It was subtle, to be honest, but it was present. In fact, I didn’t actually realize that I’d experienced it until I returned home to Oregon. Once I got back into my groove, I remembered what vitality felt like. The thing about culture shock is that it can be really sneaky. For me, everything about my life abroad required effort. I spent so much time processing information that I was constantly worn out. The little everyday things that I took for granted in the U.S. became magnified in a foreign environment. From processing language on street signs and menus to adapting to a new food culture (and thinking about how to communicate clearly and respectfully to strangers, interpreting social experiences with my boss and colleagues, setting up and managing bank accounts, finding clothes in my size, paying bills, grocery shopping, and so much more), you name it–it all required double the energy.

EB: What was the experience of managing a class like?

KR: Being in a hagwon, an academy, is a bit different from mainstream public education. My class sizes were small; sometimes I had classes with only one student. Most of my students came from affluent backgrounds, had parents with high expectations for academic achievement, and had ten to twelve hour days between school, music lessons, English academy, and any other extracurricular activities they were involved in. I found that my students had a lot in common, including their skill levels (as students were placed in courses based on their language needs rather than their ages), which made scaffolding a nearly seamless process.

Overall, my classes were wonderful. My students were curious, silly, witty, endearing, and sometimes even a bit mischievous. I felt pretty lucky to work at Avalon with my particular group of kids and colleagues.

EB: Did you have much experience communicating with English language learners prior to going abroad?

KR: I really didn’t. I had volunteered in an ESL classroom for a few weeks as part of my practicum, but that was about it. My husband and I started an online TEFL program before leaving for Korea. We were able to complete the 300-hour training over a couple of months. The program was really pretty affordable and I felt that I was able to use a lot of what I learned. That’s something else I’d highly recommend.

EB: What was your most surprising experience?

KR: That would probably the day three business men approached me in the street and asked for a hug. I obliged until they asked me to kiss them. It was really quite strange. That being said, it was such an isolated experience (you asked for the most surprising!).

Most favorably, I remember my trip home from our vacation in Seoul. We decided that we wanted to head home on one of the earlier trains, so we asked to switch out our tickets. When the teller said he had a “standing” ticket, I naively thought it meant someone else had cancelled and left the tickets available for next departing train (in retrospect, my interpretation didn’t make a whole lot of sense). I was rudely surprised. We found ourselves literally seatless on the train, standing for five and a half hours. Needless to say, I was extremely put off by the discomfort of it all. So there I sat, grumpy and unappreciative. Eventually I decided to sit on the floor. A few stops later, a team of elderly folks flooded the standing section, squishing me, unapologetically, into a corner. And just as the steam started flowing from my ears, a woman sat down on the floor beside me, smiled kindly, and offered me half of her persimmon. In that tiny moment I was brought back into myself, realizing I had missed the adventure of our adventure. My sense of humor arrived shortly after (and, not surprisingly, I survived).

EB: Is there anything you wish you had known or known more about before you started?

KR: No, I wouldn’t say so. I’m really glad we went when we did. My husband and I (engaged at the time) were only twenty-three when we left for Korea. I think reaching outside of our comfort zones was one of the greatest gifts we could have given ourselves at that age.

EB: How did the experience of teaching abroad influence your career plans?

KR: Early on, my time in Korea solidified my desire to become a teacher. Then, once I started my graduate studies, those experiences became a reference point that ultimately helped me discover where my strengths and areas of need were. While I did end up changing career paths, I know that, if and when I go back into teaching, my time abroad will provide a solid foundation for further growth.

EB: Were you able to learn much Korean? Had you studied it before?

KR: I am the worst at learning foreign languages. I’m excited by the dynamics of language, the linguistics and the grammar of it all, but my command of any second language I’ve ever studied is pitiful, quite frankly. With the help of a tutor, I was able to learn just enough survival Korean to make everyday life a bit easier. I highly recommend that anyone living abroad learn the primary language of the country in which they live. If you happen to struggle with foreign languages like I do, my best advice is to stumble through it with the best sense of humor that you can muster.

EB: Any suggestions for others considering teaching abroad?

KR: If you do decide to teach abroad, ask lots of questions before you go, while you’re there, and when you return home. Let your curiosity be your guide– and you will never cease to be surprised.

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An Interview with Amy Anne Layton

Amy Anne Layton is a Library Circulation Assistant at Simmons University Beatley Library. A 2016 graduate of Southern Oregon University, she taught in France from in 2016 to 2017.

Ed Battistella: Tell us about the program you taught in? How did you find it? What was the application and training process like?

Amy Anne Layton: I taught through TAPIF—the Teaching Assistant Program in France. It employs and salaries over 1,000 French majors to help teach English abroad in France for seven months. I found out about this program through the French program at Southern Oregon University. Normally, at the end of our time there, we’re required to either work at an internship abroad for 10 weeks minimum, or something equivalent to that.

TAPIF required letters of recommendation on the topic of your French education, a written sample of our French, and our University transcripts, among other information such as passport information.

Training took place twice, in which every assistant in a district met at a centralized location to learn about French bureaucracy, documentation, school rules, and government, among other societal things we might not have learned about in school. The second training focused on creating lesson plans for younger and older students.

EB: How did you get interested in teaching abroad?

AL: In all honesty, my interest in teaching abroad paralleled my interest in graduating with a degree in French culture. It was essentially required for me, so I had no choice but to get excited!

EB: Did you experience any sort of culture shock?

AL: I think I would be lying if I said yes. The biggest shocks that came to me were more based on the fact that I lived near a city than anything else. I’d never taken public transportation before, nor commuter trains, and there were a lot of other big firsts that I hadn’t experience prior to living in France. After my initial Oh God What Did I Just Do reaction during my first night abroad, it felt like I was on vacation, and then I felt like I was at home. French folks typically have some understanding of English, and everyone there showed me such great kindness, so it was easy to just fall into step!

EB: You had studied French before going. What has the experience like of living in France?

AL: Absolutely incredible. There is still not a day that goes by that I don’t think about or wish that I was living in France still. In all honesty, and in retrospect, I think that French Amy is the best Amy to have so far existed. Being so far removed for seven months from all you’ve ever known is a frightful experience, but it’s one that helped me center myself and realize just how proud of myself I should be.

In terms of the language—I lucked out. I had fantastic professors to teach me French, and it certainly helped that my roommates in France knew English and were able to help me process my thoughts when I was trying to speak French. Not only that, but I was happy to visit some French exchange students from the prior year at their towns, where their families introduced me to classic French films (without subtitles!), their families, and ways of going about life.

EB: What were people’s attitudes about English and learning English?

AL: My students’ attitudes were about the same as those learning a foreign language in high school here in the United States. The ones who were more proficient and fluent were typically in other advanced classes and had more opportunities to visit England than those who were only interested in learning the bare minimum to pass. In France, I think it’s safe to say that those who know and had an affinity for learning English were viewed as more privileged than those who had a harder time.

EB: Did you have much experience communicating with English language learners prior to going abroad?

AL: None at all! I had the wonderful opportunity, however, to work with Professor Margaret Perrow for an independent studies class in which I analyzed various struggles and eases English language learners had in regards to learning English.

EB: Is there anything you wish you had known or known more about before you started?

AL: Yes. If you’re a woman going abroad by yourself, people are going to love the fact that you’re foreign. Especially men. Watch out for them. I thought men were terrible when we spoke the same language, but they go above and beyond when there’s a language barrier and you’re on their playing field. I was in a generally safe area and spent much of my time alone, but men will take advantage of the fact that you don’t perfectly speak their language. They will take advantage of the fact that you’re alone and newer to the area. Use your best judgement, use your instincts.

That isn’t to say that every single French man is terrible, however. Two drove me to my Airbnb when they saw me struggling with my suitcase. Another showed me around Montmartre. One cashier engaged me in conversation every time I went to the grocery store. There are kind people out there. But there are also scammers, creeps, and your every-day dudes who think it’s okay to harass you. Their behavior is never okay, but if you’re empathetic and sensitive and a little shut-in like me, it’s necessary to grow a thick skin, and fast.

EB: Any suggestions for others considering teaching abroad, especially in Europe?

AL: Money is sadly still a necessity in this world. TAPIF encouraged us to have at least $2000 prior to taking off for our assistantship—it’s enough to hold you over until your first paycheck.

Airbnb is your friend! It takes a while to find a place to live, especially if you get placed in a smaller town like me. Airbnb can help take a lot of stress off of you when scouting out apartments and rooms.

Take advantage of cheap travel tickets! Visit your friends, go to different countries!

Do touristy things. Have no shame. Buy the best champagne when you go out, get the best seat available for the opera. This is your time, and you should use it however you want to.

And ultimately? Have a blast.

EB: Thanks for talking with us.

AL: Of course! Thanks for listening.

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