Holiday Reads

The fall term grades are in and now there’s a chance to catch up on some reading.

I’m getting started on James Pennebaker’s The Secret Life of Pronouns (who knew?) and John McWhorter’s Our Magnificent Bastard Tongue: The Untold History of English, and I’m hoping to get to The Making of A Name: The Inside Story of the Brands We Buy by Steve Rivkin and Fraser Sutherland (which talks about the phonetics of product naming, among other things) and to Blair Richmond’s Out of Breath, which I picked up last month at the Oregon Book and Author Fair (Out of Breath is set in the Pacific Northwest town of Lithia. Hmm.).

I asked a few others in Ashland and beyond what they were hoping to read over the holiday break (or in some cases, the holiday long weekend). Here’s what they told me:

Tim Wolhforth, author of Harry and The Pink Tarantula, is reading The Drop by Michael Connelly.

Jackie Schad, Executive Director of ACCESS is planning to tackle Power and Love: A Theory and Practice of Social Change by Adam Kahane.

Tod Davies, editor-publisher of Exterminating Angel Press is looking forward to reading The Aeneid (wow), Ursula K. Le Guin’s The Lathe of Heaven and anything else she can find by Le Guin in the Ashland Public Library.

Amy Blossom, branch manager at the Ashland Public Library, is reading Nanjing Requiem by Ha Jin, the story tells of an American missionary lives through the Rape of Nanjing, Doc by Mary Doria Russell-it’s fictional account of Doc Holliday and Wyatt Earp–and Field Notes by Barry Lopez, who will be reading as part of the Chautauqua Poets and Writers series on April 20, 2012. (And set aside some Ursula Le Guin for Tod Davies.)

Shelley Austin, the Executive Director of the Jackson County Library Foundation, is reading Cutting for Stone by Abraham Verghese and then Paul Theroux’s The Tao of Travel: Enlightenments from Lives on the Road.

English professor Bill Gholson is reading Melville: A Biography by Laurie Robertson-Lorant. Bill is teaching Melville in the winter term, needless to say.

Jennifer Allen, Director of Programs at Oregon Humanities, is planning to read Death Comes to Pemberley by P. D. James, and then, as a New Year’s resolution, Moby Dick.

Southern Oregon University President Mary Cullinan’s reading includes Sidney Kirkpatrick’s The Revenge of Thomas Eakins, the story of the intriguing Philadelphia artist, and she has just ordered Bill Bryson’s The Mother Tongue: English and How it Got That Way.

Melody Condon, a professional writing major at SOU, is reading Ivanhoe by Sir Walter Scott and is also planning to read Deep Secret by Diana Wynne Jones and Pathfinder by Orson Scott Card.

Robert Arellano, director of Emerging Media and Digital Arts at SOU and author of the forthcoming Curse the Names, is planning to read Prize Winners, a book of short stories by Ashlander Ryan W. Bradley.

Molly Tinsley, award-winning author and co-founder of FUZE Publishing, has just ordered Laura Hillenbrand’s Unbroken, on a recommendation from her sister, and she has started a started a spy thriller by Alex Berenson. She’s also just finished, and recommends, Republican Gomorrah by Max Blumenthal.

Midge Raymond and John Yunker of Ashland Creek Press will be fighting over a new novel by Peter Orner–Love and Shame and Love. Midge is also reading a collection of stories by Melanie Rae Thon–The Voice of the River.

Cara Ungar-Gutierrez, Executive Director of Oregon Humanities, is reading In the Garden of Beasts by Erik Larson–the story of William Dodd, the American ambassador in Germany in the time of Hitler. And she’s just finished—and highly recommends—The Marriage Plot by Jeffrey Eugenides.

SOU business and University Seminar instructor Karen Clarke’s holiday reading is The Happiness Project by Gretchen Rubin. She says the subtitle Or, Why I Spent a Year Trying to Sing in the Morning, Clean My Closets, Fight Right, Read Aristotle, and Generally Have More Fun, made it sound like a perfect holiday read.

Poet Amy MacLennan is reading The Professor and the Madman by Simon Winchester for her book club, Winchester’s non-fiction on the origin of the OED and she’s reading Sue Grafton’s G is for Gumshoe which she describes as a good “comfort book.”

Carl Hilton, owner of Bookwagon New and Used Books, is going to read The Hunger Games, a dystopian novel by Suzanne Collins, and Walter Isaacson’s biography of Steve Jobs.

Greta Mikkelson, Product Development Program director at Harry & David, is reading Crooked Letter by Tom Franklin and Then We Came to the End by Joshua Ferris.

What are you reading?

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Twilight and Dickens

My fall term linguistics class spent a little time on the origins of writing and the alphabet, including a look at Egyptian hieroglyphs.

And we wondered whether The Book of the Dead was an example of ancient Egyptian vampire literature. Can you spot Bella, Edward and Jacob?

And speaking of vampires and werewolves, Carl Hilton of Bookwagon took his editorial pen to Charles Dickens to produce a Kindle ebook called A Christmas Carol with Zombies.

What’s Christmas without zombies?

Three cheers for public domain literature.

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What goes on a book flap

Here is a piece by Daniel Menaker (editor of Grin and Tonic) from The Barnes and Noble Review on the language of book flaps.

It’s got 16 rules for writing the copy on books flaps. Words to use: “stunning,” “deeply,” “enthralling,” “gritty,” “original,” “remarkable,” “magical,” “ground-breaking,” “arresting,” “dazzling,” “heartbreaking,” “compelling,” “devastating,” “captivating,” and of course “best-selling”even out of context, as in “So-and-so is often compared to the best-selling novelist….” Check it out.

But I wonder, what’s going to happen to the flap in the age of ebooks?

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Hammy and Grammy

Last week the New York Times Book Review did a couple of nice features on audiobooks, an under-reviewed genre. The Times stories “Wired for Sound” and “The Mind’s Ear,” got me to thinking about audio.

I’ve always used audiobooks on car trips, where I dug into things I might not otherwise read in a book book, and I’ve enjoyed audiobooks on the treadmill at the Ashland YMCA (though I exercise harder with music than with books or cable news). And when I had eye surgery, I listened to all 10 disks of David Hajdu’s The Ten-Cent Plague, read by Stefan Rudnicki. Perhaps my New Year’s resolution should be to get more systematic about listening to audiobooks.

So seeing the Times pieces and making my pre-resolution, I was pleasantly surprised to learn that two Blackstone audiobooks were nominated for the 2012 Grammy Awards, in the wordy category “Best Spoken Word Album (Includes Poetry, Audio Books & Story Telling).” I had forgotten there was such a category, but I shouldn’t have: Barack Obama won in 2005 and 2008.

HamletThe three-hour “Hamlet” performance was produced and directed by Ira Burton and based on the 2010 Oregon Shakespeare Festival production directed by Bill Rauch. It’s part of an OSF-Blackstone collaboration which aims to produce audio versions of all of Shakespeare’s plays over the next 17-25 years. The “Hamlet” audio features almost the entire cast of the OSF 2010 production, including Dan Donohue in the lead. It’s great to see the debut production in the running for a Grammy.

And congratulations too on Blackstone’s nomination for “The Mark of Zorro,” read by Val Kilmer. The winners will be announced at the 54th Grammy Award ceremony on February 12, 2012.

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