Curse the Names from Akashic Books

Accepting the Army-Navy Excellence Award in 1945, J. Robert Oppenheimer warmed that the time might come when “mankind will curse the names of Los Alamos and Hiroshima.” Oppenheimer was warning of nuclear war. In Curse the Names (Akashic Books 2012), Robert Arellano takes us a step further to show us how chain reactions in our personal lives can trigger a meltdown from which there is no return.

Curse the Names Robert ArellanoWhat’s Curse the Names like? Publishers Weekly described Arellano as showing a “sly Hitchcockian touch.” Not exactly. It’s more like Arellano is the love child of Alfred Hitchcock and David Lynch, abandoned in the woods and raised by Hunter S. Thompson. His writing is fast-paced and chilling, as he takes his protagonist on an out-of-control quest to understand why his life is unraveling.

James Oberhelm is a public relations writer for the fictional in-house magazine Surge published by the Los Alamos National Laboratory. He writes puff pieces on the gardens and miniatures tended by retired scientists so that they feel appreciated. Oberhelm, however, is tightly wound, bored with his job and his wife and self-medicating with booze and drugs. As he takes on an unsuccessful erotic errand leading him to an abandoned house and a bag of bones, a paranormal mystery grips his life. Fueled by scotch and codeine, Oberhelm tries to prevent an armeggedon. It’s all downhill from there and not in a good way. Oberhelm loses his jobs, his wife, his job, his car, and eventually his sanity. He is a signature Arellano protagonist—a not-initially-likeable character who grows on you as his life falls apart. And yes, Arellano kills a dog. Named Oppie.

Curse the Names takes us to the Sangre de Cristo mountains of New Mexico, leaving behind the urban surreal of Arellano’s previous books. But this is southwestern surreal with more than a few a few shots of noir thrown in as characters casually betray one another. There’s a long-nailed Goth blood tech, a hippie identity thief, a boozy family doctor, a malevolent g-man, end-of-the- worlders, and some scientists who know too much and say too little. Curse the Names has tight noirish writing and 1940s characters spun for the 21st century. Through James Oberhelm, we see how our decisions start chain reactions that take down more than we can know.

And the end is literally earth-shaking.

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Let’s Have a Party, Child-Approved 1961

I have a bad habit of haunting the thrifts and local booksales and like many, I’m always on the look out for odd items. Recently, Let’s Have a Party by Helen Jill Fletcher (Paxton-Slade, NY, 1961) caught my attention. It’s a small brightly covered pamphlet, just 64 pages of coarsely fibered yellowing paper with red, blue or green line drawings to illustrate each chapter. Designed for boys and girls age 5-13, it’s everything a 1961-era child (and parent) could want to throw the perfect party for any occasion or holiday.

There are chapters for Invitations, Decorations, Lighting Fixtures, Costumes, Hats and Headdresses, Accessories, Noisemakers, Place Card Favors, Centerpieces, Party Foods and Games. Each chapter has, for example, decorations for New Year’s Day, an Anchors Aweigh Party, Indian Pow-wow, Barnyard Party, Kitchen Party Hallowe’en Party, Gypsy Jamboree, Storybook Party and other themes. There’s a lot in just a few pages!

Many of the articles start with similar instructions and call for similar materials. Cowboy Spurs for example, “Cut two strips of flexible cardboard” and To Make Headband: “Cut out headband strip from construction paper”.  The Noisemakers chapter has instructions for a Nail Jingler (made by threading string through a handle and tying to nails), Bottle Top Jingler (flatten bottle caps and thread with string), Pie Pan Tambourine (tie bottle caps to string and to pie pan edge). No Pirate Party would be complete without a pipe cleaner skeleton with a marshmallow head, climbing over marshmallow graves and tombstones, marked with the names of guests. Marshmallows also feature in the Snowman Centerpiece: “Cover a grapefruit head and a large round melon body with white crepe paper…cover entire snowman with marshmallows…” and in Party Foods: “Make candy train of marshmallows joined together with pieces of toothpicks

This little pamphlet, faintly musty, is a time capsule of sorts. Chuck E Cheeze wasn’t mentioned, or any brand names. It was a time when electronics hadn’t yet been minaturized and sissors and paste dominated. Kids ate marshmallows rather than sushi or gummi bears. A time when people had paper, not plastic and more time than money.

I imagine moms working late – erm – rather, before the kids got home from school, making Pennant Borders (“Cut pennant shapes from white or colored construction paper”) and Cardboard Lanterns (“Cut cardboard to size and fasten edges together with paste”). I wonder that kids age 5-13 found joy in these simple objects: to have a party at home, with favors and treats made by hand of everyday goods, indulging for example in a wild west fantasy thanks to a Gay Nineties Moustache (“drawn on black cardboard following exact measurements as shown in illustration”) and dance to a radio tune adorned with a Soda Straw Necklace (made of “white or colored cardboard disks, measuring 1″ in in diameter”, these alternating with soda-straw sections strung on heavy thread).

This Christmas, the bestselling children’s gift is the Leapfrog, a child’s version of the iPad. Try to make one of those out of crepe paper or marshmallow!

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Holiday Reads

The fall term grades are in and now there’s a chance to catch up on some reading.

I’m getting started on James Pennebaker’s The Secret Life of Pronouns (who knew?) and John McWhorter’s Our Magnificent Bastard Tongue: The Untold History of English, and I’m hoping to get to The Making of A Name: The Inside Story of the Brands We Buy by Steve Rivkin and Fraser Sutherland (which talks about the phonetics of product naming, among other things) and to Blair Richmond’s Out of Breath, which I picked up last month at the Oregon Book and Author Fair (Out of Breath is set in the Pacific Northwest town of Lithia. Hmm.).

I asked a few others in Ashland and beyond what they were hoping to read over the holiday break (or in some cases, the holiday long weekend). Here’s what they told me:

Tim Wolhforth, author of Harry and The Pink Tarantula, is reading The Drop by Michael Connelly.

Jackie Schad, Executive Director of ACCESS is planning to tackle Power and Love: A Theory and Practice of Social Change by Adam Kahane.

Tod Davies, editor-publisher of Exterminating Angel Press is looking forward to reading The Aeneid (wow), Ursula K. Le Guin’s The Lathe of Heaven and anything else she can find by Le Guin in the Ashland Public Library.

Amy Blossom, branch manager at the Ashland Public Library, is reading Nanjing Requiem by Ha Jin, the story tells of an American missionary lives through the Rape of Nanjing, Doc by Mary Doria Russell-it’s fictional account of Doc Holliday and Wyatt Earp–and Field Notes by Barry Lopez, who will be reading as part of the Chautauqua Poets and Writers series on April 20, 2012. (And set aside some Ursula Le Guin for Tod Davies.)

Shelley Austin, the Executive Director of the Jackson County Library Foundation, is reading Cutting for Stone by Abraham Verghese and then Paul Theroux’s The Tao of Travel: Enlightenments from Lives on the Road.

English professor Bill Gholson is reading Melville: A Biography by Laurie Robertson-Lorant. Bill is teaching Melville in the winter term, needless to say.

Jennifer Allen, Director of Programs at Oregon Humanities, is planning to read Death Comes to Pemberley by P. D. James, and then, as a New Year’s resolution, Moby Dick.

Southern Oregon University President Mary Cullinan’s reading includes Sidney Kirkpatrick’s The Revenge of Thomas Eakins, the story of the intriguing Philadelphia artist, and she has just ordered Bill Bryson’s The Mother Tongue: English and How it Got That Way.

Melody Condon, a professional writing major at SOU, is reading Ivanhoe by Sir Walter Scott and is also planning to read Deep Secret by Diana Wynne Jones and Pathfinder by Orson Scott Card.

Robert Arellano, director of Emerging Media and Digital Arts at SOU and author of the forthcoming Curse the Names, is planning to read Prize Winners, a book of short stories by Ashlander Ryan W. Bradley.

Molly Tinsley, award-winning author and co-founder of FUZE Publishing, has just ordered Laura Hillenbrand’s Unbroken, on a recommendation from her sister, and she has started a started a spy thriller by Alex Berenson. She’s also just finished, and recommends, Republican Gomorrah by Max Blumenthal.

Midge Raymond and John Yunker of Ashland Creek Press will be fighting over a new novel by Peter Orner–Love and Shame and Love. Midge is also reading a collection of stories by Melanie Rae Thon–The Voice of the River.

Cara Ungar-Gutierrez, Executive Director of Oregon Humanities, is reading In the Garden of Beasts by Erik Larson–the story of William Dodd, the American ambassador in Germany in the time of Hitler. And she’s just finished—and highly recommends—The Marriage Plot by Jeffrey Eugenides.

SOU business and University Seminar instructor Karen Clarke’s holiday reading is The Happiness Project by Gretchen Rubin. She says the subtitle Or, Why I Spent a Year Trying to Sing in the Morning, Clean My Closets, Fight Right, Read Aristotle, and Generally Have More Fun, made it sound like a perfect holiday read.

Poet Amy MacLennan is reading The Professor and the Madman by Simon Winchester for her book club, Winchester’s non-fiction on the origin of the OED and she’s reading Sue Grafton’s G is for Gumshoe which she describes as a good “comfort book.”

Carl Hilton, owner of Bookwagon New and Used Books, is going to read The Hunger Games, a dystopian novel by Suzanne Collins, and Walter Isaacson’s biography of Steve Jobs.

Greta Mikkelson, Product Development Program director at Harry & David, is reading Crooked Letter by Tom Franklin and Then We Came to the End by Joshua Ferris.

What are you reading?

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Twilight and Dickens

My fall term linguistics class spent a little time on the origins of writing and the alphabet, including a look at Egyptian hieroglyphs.

And we wondered whether The Book of the Dead was an example of ancient Egyptian vampire literature. Can you spot Bella, Edward and Jacob?

And speaking of vampires and werewolves, Carl Hilton of Bookwagon took his editorial pen to Charles Dickens to produce a Kindle ebook called A Christmas Carol with Zombies.

What’s Christmas without zombies?

Three cheers for public domain literature.

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