An Interview with Courtney Pondelick

Courtney Pondelick is a Grants Pass native and a 2011 honors program graduate of Southern Oregon University. She’s worked as a manager at Bluestone Bakery, a student orientation leader, a journalist for the Siskiyou newspaper and the online magazine Cognito. She’s currently a student in the Masters in Book Publishing program at Portland State University.

EB: What is your graduate program like? What courses do you take and what sorts of things are you reading?

CP: The program is great! It’s extremely hands-on, even the traditional lecture classes tend to be really group-orientated and focus on direct, real-world skills. We are required to take courses such as book design, marketing, editing, copyright, and so much else, basically getting an overall look at what the book publishing industry is made up of. I have a much better idea of what my job options will be now that I’ve completed a quarter of classes.

As for reading? We are encouraged to read everything! A lot of my classmates are reading books, usually fiction, by local authors, and I would love to start on that as well. A big part of the program is staying up on industry news. This means subscribing to multiple daily newsletters from websites such as Publishers Weekly and Shelf Awareness. Oh, and right now, I’m reading Autobiography of a Face by Lucy Grealy and Snow Crash by Neal Stephenson.

EB: Is there an internship or practicum component?

CP: What’s really wonderful about the program is the built-in internship component. The program, and everyone in it, essentially runs a non-profit publishing house, Ooligan Press. Ooligan publishes about three books per year, which means the students are actively involved with the process of acquiring, creating, and publishing a “real” book. By the time I graduate from the program, I will already have two years of directly relevant experience as I enter the job market. Students have their choice of which department they would like to work in. For example, last term I took one credit for the Digital Content workgroup, which manages the Ooligan website, creates ePub versions of Ooligan titles, and does digital marketing research. The students completely run the program. They are the project managers, leaders, and creators.

EB: What is the publishing scene like in Portland? Are you making good connections in the industry?

CP: It is incredible how dedicated the publishing community is in Portland. There have been serious strides toward sustainability in publishing, and Portland is really the perfect place for this to happen. Every day, there is someone having a poetry reading or a book release party. It definitely helps increase the sense of community, as living in a city can feel a bit isolated at times. It’s neat being able to directly interact with people who work at Dark Horse Comics, for example. I am aiming towards beginning an internship in the spring with a local publisher, although I haven’t yet pinned it down.

EB: How has your experience so far shaped your career goals?

CP: I’m learning to feel out exactly where my skills and passions lie. When I started the program, I was determined to become an editor, and although that is still my loftiest goal, I’m realizing that I would be happy in many other positions as well. I’ve developed an interest in interior book design, something I barely even noticed as a reader before, and I’m also realizing what I’m not very good at, namely marketing and web or ePub coding. Since I am only in my second quarter, my sense of what I would like to do career-wise will deepen as these next two years pass.

EB: How long does the program take to complete?

CP: The program takes approximately two years to complete, not counting summer classes. The program consists of 20 credits of required courses and 28 credits of electives. If I wanted, I could take most of my electives in graduate-level biology and create my own textbook company after I graduate. That’s not a great example, but my point is that there’s such an opportunity for personalization of the degree.

EB: Portland’s a pretty literary city. What does a book person do for fun?

CP: They spend time at Powell’s City of Books, of course! I live only ten blocks away, so I’m always there. I’ve attended several readings there so far and I’m always checking the event calendar for an author I might know of. On the top floor, there’s also a huge rare book room that’s only open certain hours, but it’s definitely worth a look. Other than Powells, there are lots of smaller bookstores and quite a few eclectic comic book shops. On any given night, there’s usually a reading of some sort happening, often at coffee shops and pubs.

EB: Can we check back with you down the road to see what’s new?

CP: Definitely!

EB: Thanks for talking with us.

CP: No problem. Thank you very much!

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January’s Non-words of the Day

You can follow the Literary Ashland Non-word of the Day on Twitter (it’s easy).

First, some words that I wished I could have used. I wanted to used haberdash as a verb meaning “to run after a hat that has blown off your head.” But haberdash is already a verb (to deal in small things, hence haberdasher) and the Urban Dictionary lists it as meaning to jump into someone else’s photograph. I’m not quite ready to just redefine existing words. Too bad. Haberdash should mean chasing your hat.

And I wanted to use ginormal to mean something that is now normally larger than it used to be—supersized. But ginormal is in the Urban Dictionary as “Ginormously normal. 2: Something that is extremely average. 3: Something that is far from being out of ordinary.” Again, I like my definition better. The Urban Dictionary’s are, well, extremely average and far from being out of ordinary. But so far I haven’t come up with another word that fits the definition I had in mind. So feel free to use ginormal my way.

I hoped to use quatement and queech to refer to statements posing as questions and (still worse) speeches posing as questions (if you’ve ever attended an academic talk you know what I mean). But the Urban Dictionary already uses quatement to describe uptalk—statements made with question intonation. And queech is in there as well, with three meanings.

I toyed with using pubbub to mean “bar fight” but pubbub seemed to be in use already in other ways, so I switched it up to snubbub.

Some acknowledgements—textumble came from a conversation with geology professor Charles Lane about a year ago and has been rattling around in my head ever since (and it presented an interesting spelling challenge—textumble, texttumble, or textstumble, with a silent s). Improvision is based on a suggestion by my colleague Margaret Perrow. Every-which-wayiness is a compound that I overheard in a talk by linguist Lucy Thomason, who used it to refer to hair. I liked the idea of extending that to tangled arguments as well.

Thanks again to Rick Bleiweiss, Leroy Fulwiler and Lucia Hadella for their suggestions: travelostity, spamplitude and jobportunity. I wanted to use Mary Maher’s suggested neuterize, a synonym for neuter (with the wonderfully ironic redundant suffix), but the Urban Dictionary already had neuterize listed with the not-bad meaning of “To make men and women, and society, devoid of gender tendencies or characteristics in the attempt to eliminate feminity [sic.] and masculinity.” Hmm, feminity … a found non-word.

Here are January’s Non-Words:

    resolvevolvolution n. A new year’s resolution made many times before (from resolve +(re)volve+(resol)ution). 1 Jan

    exitstentialist n. paranoid fatalist who insists on being seated facing the door in restaurants. 2 Jan

    anakimbo adj. any human body position in which the hands are not on the hips with elbows pointed outward. 3 Jan

    caucauphony n. quadrennial noise from the Iowa caucuses, not to be confused with cawcawphony, a symphony of crows. 4 Jan

    frontlong adj. directed straight ahead, as in a frontlong glance. 5 Jan

    diaperarazzi n. paparazzo who specialize in photos of celebrities’ newborns. 6 Jan

    para-abnormal adj. a contranym meaning both normal and abnormally paranormal. 7 Jan

    orphography, n. – font styles that no one can read (eg, Kunstler Script). 8 Jan

    whych – interrogative pronoun (pronounced WHY-CH), which and why, as in “Whych do you prefer?” 9 Jan

    qweach, n. a speech disguised as a question, esp. one asked after an academic talk (also spelled queech, queach). 10 Jan

    textumble, v. or n. to fall up or down steps while texting, or the fall itself. 11 Jan

    dawndle, v. not getting out of bed when the alarm goes off (from dawn + dawdle). 12 Jan

    slurname, n. a surname which is homophonous with an ethnic, racial, sexual or other slur. 13 Jan

    bainstaking, n. or adj. extracting short-term profit through layoffs, factory closings, and planned bankruptcies. 14 Jan

    Jojones, n. addiction-like craving for deep-fried potato wedges. 15 Jan

    throught (pronounced THRAWT) n. a thought that makes you overly excited or anxious (from thought + wrought). 16 Jan

    virony, (pronounced VI-rony or VIR-ony), n. veiled irony expressed by females about or toward males. 17 Jan

    ropadopamine, n. neurotransmitter which produces a calmness that allows one to outlast one’s adversaries. 18 Jan

    precipapointment, n. the unfulfilled expectation of a snow day. 19 Jan

    begoogled, adj. lost for long stretches of time sifting through marginally relevant search results. 20 Jan

    every-which-wayiness, n. randomly tangled and protruding, used of both hair and argumentation. 21 Jan

    flabricate, v. to lie about one’s waist size or weight. 22 Jan

    banggage, n. political baggage resulting from past infidelities. 23 Jan

    improvision, n. the act of providing by improvising (or scrounging). 24 Jan

    soarical, adj. lyrical, lofty or aspirational but not to an icarian degree. 25 Jan

    snubbub, n. a noisy misunderstanding arising from a perceived slight. 26 Jan

    flossolalia, n. unintelligible speech that occurs when you talk to someone while flossing your teeth. 27 Jan

    travelostity, n. aimless driving that occurs when males refuse to read maps or ask directions (from Rick Bleiweiss). 28 Jan

    irrigorous, adj. 1. having low standards, easy, 2. extremely inaccurate. 29 Jan

    jobportunity, n. the opportunity to have a job [the p is silent] (suggested by Lucia Hadella). 30 Jan

    spamplitude, n. the ratio of spam to useful mail in your inbox (suggested by Leroy Fulwiler). 31 Jan

Got a favorite? Or a suggestion? Post a comment. Or email me at edbattistella followed by usual gmail stuff.

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The American Dialect Society Word of the Year

Tomorrow I’ll post the January roundup of the Literary Ashland Non-word of the Day. But first, for those of you that missed them, the American Dialect Society Word(s) of the Year for 2011.

The American Dialect Society meets with the Linguistic Society of America each year and this year it was in Portland, for the first time in 40 years. The open vote on January 6, stewarded by Allan Metcalf of MacMurray College, drew about 300 people.

The word of the year: occupy defined as “verb, noun, and combining form referring to

    the Occupy protest movement. The runners up were:

    FOMO – acronym for “Fear of Missing Out,” describing anxiety over being inundated by information on social media.

    the 99%, 99 percenters – those held to be at a financial or political disadvantage to the top moneymakers, the one-percenters.

    humblebrag – expression of false humility, especially by celebrities on Twitter.

    job creator – a member of the top one-percent of moneymakers.

Humblebrag was voted most useful, and job creator most euphemistic.

The American Name Society also comeets with the LSA and its Name of the Year voted was Arab Spring. The onomasts also choose winners for four separate categories.

    Siri was Trade Name of the Year.

    Fukushima was Place Name of the Year.

    Qaddafi, Kathafi, Khadhafy, etc. was Personal Name of the Year.

    Lisbeth Salander was Fictional Name of the Year.

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Bauman Rare Books

I recently visited Bauman Rare Books in Las Vegas. You’ve seen their ads on the back page of the New York Times Book Reviews. It’s the rare book gallery opened by David and Natalie Bauman in 1973.

Bauman Rare Books has its main galleries—that’s what they call them—in New York and Philadelphia, but in 2008 they opened a third Las Vegas location, in the Palazzo Hotel. Open twelve hours a day seven days a week, the Las Vegas gallery is about the size of a mall bookstore–2300-square-feet–but instead of current bestsellers is filled with some of the nicest looking rare books I’ve ever seen, along with ephemera, artwork and maps. The staff were happy to have us browse, even take pictures. One even had a British accent.

Browsing the shop and the catalogs give you a feel for what people collect and how collectibles are valued. A first edition Moby Dick goes for about $45,000, the OED for $23,000 and Catcher in the Rye for $26,000. And I was surpised to see some relatively recent books listed—From Russian With Love for $5,000, Slaughter House-Five for $8,500, A Confederacy of Dunces for $9,200, Stephen King’s Dark Tower set for $28,000, even A is for Alibi for $6,800 (!?). Most are signed, but not necessarily by the author.

What’s hiding on your bookshelf?

The only thing I could afford was David and Natalie Bauman’s nice paperback Rare Finds: A Guide to Book Collecting, which explains the art of book collecting. And according to the Baumans’ guide people collect America, literature, children’s book, sports, history and even economics. And it’s not just first editions that are collectable—maps, photos, and letters. In their catalog I saw Ernest Hemingway’s high school English textbook (with his signature inside) for $16,500 and a copy of the Bell System Technical Journal from 1948 that debuted Claude Shannon’s article “A mathematical theory of communication” for $3,000.

Next chance I get I’m hoping to see the New York and Philly galleries.

Here’s a bonus interview with Natalie Bauman.

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