An Interview with Karen Clarke

EB: Your book Short Term Finance and Working Capital Management was published in 2011. Tell us little bit about your background and how you got involved with writing a textbook on finance?

KC: Ed, thank you for the opportunity to talk with you today. I have enjoyed two careers, banking and education. My banking career spanned 35 years. I started as a teller with First Interstate Bank out of high school to support myself through college. I finished my degree 20 years later, and my son drove me to my college graduation. I earned an accounting degree, graduating Magna Cum Laude.

By the time I graduated from college I had progressed through all of the branch positions and was manager of the local corporate center. My career took off at that point first into Area Sales Management then into Corporate and Government Cash Management. In 1998 I took a product management/marketing job in Wells Fargo Headquarters (First Interstate Bank was acquired by Wells Fargo Bank). In 2000 I founded a corporate training university within Wells Fargo Bank.

After finishing my bachelor’s degree I also attained the Certified Treasury Professional certification from the Association of Financial Professionals (AFP). Initially this certification aided my ability to work with corporate and governmental clients. Upon founding the corporate university I was able to work more closely with AFP’s educational aspects and developed a strong respect for their program.
During this same time period I studied at the University of Washington, graduating from the Pacific Coast Banking School with honors and publishing a paper on electronic commerce.

In 2004 I transitioned from banking to teaching. I left the bank, completed a Master’s Degree in Teaching and was fortunate to be able to then instruct courses at Southern Oregon University. I am currently teaching undergraduate and graduate finance and accounting courses.

I started writing curriculum in 1990. Accounting and lending were the first topics. I added cash management topics in 1995. I have always been intrigued by the process of teaching and prefer to find ways to make learning interesting and knowledge relevant. I worry that we don’t spend enough time helping individuals understand the financial rules of the road. So, I have spent the last twenty years finding ways to share knowledge about finance.

EB: In writing your book, you worked with a coauthor? What was the collaboration process like? And what was the role of the editor? Who did what?

KC: A group of us have collaborated over the years teaching and developing finance curriculum. After leaving the bank to pursue university teaching I worked on a writing project with a mutual friend of Dubos Masson and myself. I later learned that Dubos had a writing project underway, we met and discussed the book, and I am fortunate that he asked me to join him.

Because we both entered the project with the same vision, collaboration has been smooth. The editor set up an electronic workspace that is easily attainable for file posting, sharing and editing.

This textbook is a bit unique, it is a college textbook version of the book that serves as the content knowledge for the AFP certification exam I mentioned earlier. Dubos is the lead author on the AFP Certification Exam book. He was able to take the certification book and use it as the basis for the new college text book we are talking about here. Our goal then was to write a textbook that provides intermediate level financial management knowledge designed for the university audience.

I should tell you a little about Dubos Masson also. He currently teaching at the Kelley School of Business, Indiana University. He received his PhD in Finance from Indiana University in 1983, and is a notable writer and speaker in the finance field.

EB: What was the biggest challenge in writing a textbook about finance? It seems like finance would be a moving target, giving the changing regulatory situation.

KC: The biggest academic challenge is as you note in your question, the financial landscape is changing. We opted for a dual strategy in the textbook to meet this challenge. First we identified the stable financial topics such as formulas and historical events. For those topics we were able to develop in depth discussions and learning tools.

Then we identified those topics which are in a state of flux such as Dodd-Frank regulation and International Financial Reporting Standards. These topics are explained in the textbook as current events that require following outside of the textbook for one to remain current.

I have been teaching finance topics for over 20 years now. The fun in teaching finance is that it always is changing, so my goal in teaching finance is helping people know what to watch out for and where to look to avoid surprises. The biggest people challenge in teaching finance is helping people get over their fear of finance and settle into the nuances that make it so interesting to pursue.

EB: What’s been your biggest enjoyment of about writing a textbook? And the biggest surprise?

KC: My biggest enjoyment is the opportunity to write a finance textbook from a financial literacy perspective as contrasted to a didactic perspective. The format allowed for new writing perspectives. Because it is an electronic textbook, tools can be created that are easily downloadable for instructors and students. We are already talking about the second edition, which will allow for more creative learning tools. I am very fortunate that Dubos wants us to add more and do more with the book.
My biggest surprise is my amount of personal research increased. I thought I would be focusing on refining what we already had. But I find myself reading more because I am writing more.

EB: Is there anything you would do differently in retrospect?

KC: I haven’t had time for retrospect on this project yet. Ask me again in six months. What I will say about retrospect in general is that I waited two years to write again between projects. That was too long. So what I hope is that this retrospective lesson won’t repeat itself and I will keep on writing no matter what.

EB: What was most useful to you as a writer? Particular books, workshops, a particular routine?

KC: I work best with deadlines. Once I know the deadline then I can pace the work. Once I have the topic I will hunt down what I need to finish the project. Transitioning from corporate writing to academic writing has been a knotty process however. I made a special effort to stay current in the finance field by attending the annual AFP Conferences. I read the Wall Street Journal and the Economist. And I follow Malcolm Gladwell’s and Tom Friedman’s books and articles. Of course, a good mystery now and then keeps me sharp as well.

EB: Do you have some future writing projects in mind? More academic work, or possible a mystery? I think it would be interesting to have a detective who is a forensic accountant…

KC: I am exploring a financial literacy venue and haven’t settled yet on whether these would be articles or blogs. The forensic accountant detective idea is intriguing however…maybe I’ll start with a short story.

EB: Excellent. Thanks so much for talking with us.

Posted in Interviews | Comments Off on An Interview with Karen Clarke

Bill Cameron on Characterization

Here’s more of Bill Cameron talking about character development in his novels Lost Dog, Chasing smoke and Day One.

Courtesy of Ashland Mystery.

Posted in Interviews | Comments Off on Bill Cameron on Characterization

February’s Non-words

Here are the non-words for February.

    febrfy v. to reduce by 2/30ths. 1 Feb.

    punxatognostication, n. (PUNK-suh-TOG-nos-TIK-a -SHUN) prediction made by a groundhog (Punxsutawney + prognostication). 2 Feb

    epic-cure, n. behavior modification for those who overuse the adjective “epic”. 3 Feb

    komenkazi, adj. crash-and-burn attack by one non-profit on another. 4 Feb

    nosticate v. to assess your recovery from a cold by the color of your mucous. 5 Feb

    nojo, n. the loss of one’s mojo or the lack of mojo altogether. 6 Feb

    meanter, v. (ME-ant-er) to unintentionally use a word with a novel meaning, in other words, to malaprop. 7 Feb

    kimpy, adj. even skimpier than skimpy, used of portions or apparel. 8 Feb

    scurl, v. to make a vulgar remark about someone to damage their reputation (backformed from scurrilous). 9 Feb

    wentness, n. condition of being present and then leaving at a break or intermission (“My wentness was unnoticed”). 10 Feb

    defixes, n. prefixes or suffixes that become words, like ex, bi, ism, and ish. 11 Feb

    cashugenah, n. (ka-SHUG-a-na) euphemism for buttocks, as in “a pain in the cashugena” (suggested by Mary Maher). 12 Feb

    polyvalentine, n. (poly VAY len tine) the same “Be mine” card sent to two or more sweethearts. 13 Feb

    valentingle, n. the pleasure you get from receiving a Valentine’s Day card or greeting. 14 Feb

    whew!able, adj. (HWUUH-able) characterizing a close call, as in a whew!able drive. 15 Feb

    soloria, n. the pleasant feeling inspired by sunshine (from “sol” plus “euphoria”), contributed by Lucia Hadella. 16 Feb

    megajoyment n. expression or feeling of great pleasure or satisfaction (contributed by Rick Hardt). 17 Feb

    venge, v. to avenge or get revenge (an ambiguous clipping), especially in a sporting contest. 18 Feb

    testosterantics, n. the ridiculous things males do to attract female attention (suggested by Charlotte Hadella). 19 Feb

    fratulence n. – A unique malodor associated with frat houses, dorm rooms, and gym bags (suggested by Leroy Fulwiler). 20 Feb

    hypirically, adv. a claim that assumes that the evidence of its validity exists (from hypothetical + empirical). 21 Feb

    velsh, n. onomatopoeic term for the sound of Velcro opening. 22 Feb

    ensliden, v. to mention or cite a colleague on a PowerPoint slide. 23 Feb

    fnast, n. the sound of nasal passages being cleared inward, an ingressive snort (from Old English fnastian). 24 Feb

    preventertainment, n. school programs featuring local celebrities warning about gangs, drug use, sex, drinking, etc. 25 Feb

    doubtcome, n. a close electoral result triggering an automatic recount or court challenge. Feb 26

    lapture, n. the pleasant feeling you sometimes get in your groin driving over rumble bars or a sudden dip in the road. Feb 27

    nomophophobia, n. (NO muh fuh FO bi uh) fear of being without a cell phone or cell phone signal. Feb 28

    leapwork, n. the extra unpaid work you do when February 29 comes on a weekday (suggested by Brian Stonelake). Feb 29

Thanks to Rick Hardt, Charlotte Hadella, Lucia Hadella, Mary Maher, Leroy Fulwiler, and Brian Stonelake. Charlotte’s testosterantics came about when she found a word to match the definition suggested by the Phoenix High School writing group. I was glad for Leroy Fulwiler’s fratulence. I had been toying with fartulence for a while but couldn’t think of an interesting definition other than “malapropism of flatulence,” but I’m not sure about using malapropisms as definitions. Polyvalentine was my fallback when I learned that ambivalentine had already by used as the title of a poem. I was hoping to play a bit more with valence and valentine, but the results seemed too heavy handed. But I was happy to introduce a word with a bang (!) as a letter and was pleasantly surprised to learn that venge was not yet a word since allows for a non-word with an ambiguous etymology. Got a favorite non-word? Let me know.

On to March.

Posted in Ideas and Opinions | Comments Off on February’s Non-words

Joe Petersen, Hampton Sides, Robert Dugoni, and more

Whew. I’ve finally recovered from the cold that’s been going around. All the Nyquil, cough drops and humidifier stuff is put away. So now I’m looking forward to some upcoming literary events.

Today is the celebration of the Ashland Public Library and historian Joe Petersen will be talking about the controversial history of the Carnegie Library at 2 pm in the Gresham Room of the library. Plus ça change, plus c’est la même chose.

And on Wednesday, February 29, don’t miss the Southern Oregon Arts & Lecture Series featuring Hampton Sides on the art & craft of narrative non-fiction. Sides is the best-selling author of historical narratives including Americana, Blood and Thunder, Ghost Soldiers and Hellhound on his Trail. And he has written for National Geographic, The New Yorker, Esquire, Preservation and Men’s Journal. It’s at the South Medford High School Auditorium, 7:30 pm on Leapday.

On March 3, New York Times Best-seller, Robert Dugoni, will offer a day-long Writing Workshop, sponsored by Willamette Writer’s. It’s at the RCC/SOU Higher Education Center (Room 112R) from 9 am -4 pm. It’s $70 but students can attend for half price.

Local author and actor Clive Rosengren talks about his debut work, Murder Unscripted, at Bloomsbury Monday March 12 at 7 pm.

Eugene’s LJ Sellers, author of Secrets to Die For, Thrilled to Death, Passions of the Dead, Dying for Justice, Liars, Cheaters & Thieves, The Sex Club, The Baby Thief, The Gauntlet Assassin, and The Suicide Effect will read at Bookwagon, on Saturday, March 17 at 6 pm. And the next day, there is a free workshop on ePublishing Mystery and Crime Fiction at the Ashland Public Library, Sunday, March 18, from 12-4. Featured speakers are Tim Wohlforth, author of The Pink Tarantula, LJ Sellers, Midge Raymond and John Yunker of Ashland Creek Press,
Ken Lewis of Krill Press, and Michael Niemann, author of “Africa Always Needs guns,”
Both events are sponsored by Ashland Mystery.

And coming in April, Barry Lopez. More about that soon.

Posted in Ideas and Opinions, Literary Events in Southern Oregon | Comments Off on Joe Petersen, Hampton Sides, Robert Dugoni, and more