Monday’s Guest–Melissa Michaels

I found the guest speaker’s discussion on Monday to be both enjoyable and highly informative.  I appreciated all the resources Melissa Michaels presented to us–the books and websites she talked about, including the AP Stylebook, Roget’s International Thesaurus, and Copyediting: a Practical Guide, and Lynda.com will all prove useful to English and Writing majors, and I think particularly valuable to me: I am interested in pursuing copy writing as a career, and these books and website will help me to continue my education in writing after I graduate. 

The speaker’s discussion of website design and web copy also resonated with me.  As the majority of copy is now written online, I appreciated her lengthy discussion of web copy.  Both web copy and website design are interests of mine.  To get ahead in the area of website design, I am planning to attend Rogue Community College next year and earn either a Certificate in Web Design or an AAS in Web Development–if I decide to follow the latter course of study, I will be at RCC for two more years, but the skills I will learn there will be highly valuable.  I will learn to use a variety of Adobe programs, including InDesign, Photoshop, Illustrator and Dreamweaver.

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Three interesting conversations in class

A few weeks ago, I went to Midge Raymond’s interesting workshop on travel writing at the Ashland Public Library. Among other things, she pointed out the importance of dialogue and noted that people might skip over long descriptive passages in fiction but they never skip the dialogue.

I’ve been trying to draw some parallels between narrative writing and expository/argumentative writing, so her comment caused me to think about the role of quotes. I confessed to my Advanced Composition class that I sometimes skip long block quotes in scholarly books and academic articles, and I found that some of them did also.

We talked about how quotes and papers are different from dialogue and narrative, and one student, David Brown, came up with an observation that gets to the heart of the difference. Quotes in academic papers, he pointed out, take you outside of the voice of the writer, while dialogue in fiction drives the narrative forward by providing voice to characters. This makes a lot of sense I think, and the familiar “quote sandwich” format of academic writing usually provides plenty of information in the framing and contextualizing of the quote.

In the History of Publishing class, we were talking about the difference between magazine covers and book covers. It became apparent that the hardback book covers are generally less sensational and less busy than magazine covers. The busyness of magazine covers makes sense because they have a lot of varied content to highlight. But what about the sensationalism? Leroy Fulwiler pointed out that this may be because of the shorter shelf life of a magazine. Perhaps magazines have to compete harder for eyeballs because buying or even picking up a magazine is a less intentional action then buying the book or committing the time to read a book.

I need to learn more about how cover artist changed over time and the difference between paperback covers and hardcovers and the differences from genre to genre.

One last interesting tidbit from the Advanced Composition class. We were looking at the different things that happen in a paragraph – making claims, giving reasons, providing evidence, etc. It became clear that as you move from an academic style to a more journalistic style, interpretation of a sentence might change. In a more expansive and documented academic style, a particular paraphrase, summary, or quote might be seen as evidence for a larger claim. In a shorter and less documented journalistic style, that same paraphrased summary or quote might come across as a mere assertion or claim. This shift is something everyone should watch out for.

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Digitary Ashland

Here are the pages I showed from the Electronic Literature Organization; the Electronic Poetry Center at SUNY Buffalo; Netpoetic, ‘a space, a net workshop’ curated by Jason Nelson and Davin Heckman; Writing Digital Media, a wiki hosted at Brown University; and our guest poet, the e-poetry of Ian Hatcher.

The eMDA degree program (minor in Emerging Media & Digital Arts) is here.

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Emerging Media & Digital Arts Minor

I found Bobby Arellano’s visit to our classroom very interesting.  In particular, the new Emerging Media and Digital Arts minor has caught my attention.  This minor will allow me to expand my English degree to include a media component.  Also, having already taken Writing 327: Technical Writing, Writing 329: Grant Writing and Workplace Literacy, and Writing 455: History of Publishing, I only need to complete 16 additional credits to receive this minor (EMDA 201, 202, 203 and 350).

Also, the concept of a hypertext novel blends the skills of English and Digital Arts. I may create a hypertext novel as one of the projects I will be required to make in the Emerging Media and Digital Arts courses I will be taking in the new academic year.  The online poetry, created by Ian Hatcher, that Arellano used as an example of a way to blend poetry and a live-action story, much like the create-your-own-adventure books, is something I would like to try and reproduce.  I believe that this type of art has many possibilities and I look forward to exploring them.

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