Phillip Margolin on How He Started Writing

Here is a video link of New York Times Bestseller Philip Margolin talking in 2007 about how his first book, Heartstone (HarperCollins, 1978) came about. It’s a great illustration of the value of having the right idea at the right time. Today he has 15 best sellers and has released a young adult novel together with his daughter.

Ashland Mystery is produced by the Ashland Mystery Readers Group, and in 2009 was sponsored by Bookwagon New and Used Books, Friends of the Ashland Public Library and Standing Stone Brewing Company.

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The maybe-not so dark side of ghost writing

I went into reading the article The Term Paper Artist by Nick Mamatas thinking that I was going to come out of it totally disgusted by the thought of ghost-writing term papers and instead I found it interesting with a lot of ethical issues on both sides.

I am not a person to condone paying someone to do your homework for you and I am not the type of student that would put myself in a position to do so. However, I can appreciate, and I think we all can, the high amount of pressure that comes with large class loads in college. I thought it was an interesting point in the article when Mamatas mentioned that he wrote many last minute papers for people who would have failed a class or not graduated without a passable paper. In that case, term paper writers are doing something worthwhile to help out another person.

I also appreciate the situation of being in a class that is so far from your specialty/major and not feeling able to adequately do an assignment for it. I think as writing students this concept is really hard for us because we do know how to write and we can do it well enough to BS our way through most predicaments in classes outside our major.

For another class I am researching different curriculums in elementary and secondary schools focusing a lot on standardized testing which does not emphasize writing skills in comparison to math and reading. I think if schools really wanted to stop this controversy from happening, they should teach students how to write better.

On a last note from a writer’s point of view, I think you would learn so much if you were a term paper ghost and it would be a really good writing exercise if you wanted to eventually teach writing composition just in the same way that ghost writing Nancy Drew books would be a good exercise for an  aspiring fiction writer.

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Indigo Ink

Last weekend the staff of Indigo Editing and Publications visited Ashland for their staff retreat. Over coffee at Starbucks , Maureen and I learned a little about their company. Named after the ink, not the musicians, Indigo was founded five years ago by Ali McCart, a graduate of the Portland State University masters in publishing program affiliated with Ooligan Press. Todays, Indigo offers professional writing services for nonfiction and fiction and even poets. They do developmental editing and book proposal consultation, line editing and proofing, and some publicity work in the Portland area. And they work for publishing houses, businesses, magazines and authors of all sorts—from literary fictionand poetry to sci-fi, wellness, and spirituality and sustainability. But they also do a lot more, as we learned. Indigo gives affordable monthly workshops on writing and the business of writing and the Indigo editors are also the organizers of the Portland’s Mini Sledgehammers writing contests, where you shatter the writing block (sledgehammer, get it) by competing in a 36-minute writing contest.

Indigo the sponsors the Ink-Filled Page, a quarterly online literary journal supplemented with an annual print anthology.

The editors—Ali McCart, Kristin Thiel, Susan DeFreitas, and Laura Meehan–have just the right blend of training, experience, and zest for publishing and community engagement. I’m glad they picked Ashland for their retreat so we had a chance to learn about their work.

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Paper Topic–Children’s Literature

While tossing around ideas for potential paper topics, I kept coming back to children’s literature.  This is because I will be studying abroad this summer in London and the topic of the course is children’s literature.  In particular, we will be looking at the author’s commentary on social, political, economic and cultural structures that are embedded within the text.  And, yes, J. K. Rowling’s Harry Potter series are a few of books to be examined.  While Amy Miller from Uncle John’s Bathroom Reader thinks that children’s literature is for “dumb people with short attention spans,” I tend to disagree.  As a child, series such as Harry Potter were what made me such an avid reader.  I have since branched off to authors such as Gore Vidal, a satirist and historical fiction writer, and Kurt Vonnegut, author of the brilliant book Slaughterhouse-Five.

I expect that the hardest part about writing this paper will be pulling in too many examples and not focusing enough on the publisher’s and reader’s reactions to children’s literature.  I am sure that I will continually be revising my paper’s content to narrow the focus of my topic.

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