Censorship by business model

It is safe to assume that rock is dead.

Don’t believe me?  Just tune your radio in on KZZE or “The Rogue,” which plays outside the norm bands like Nickelback and Linkin Park.  Even better, they have been playing a song by Alcyon Massive called “Aint it Fresh (The Oregon Song),” with such lyrics as,

“Ain’t it fresh when the beat sets in and you’re like “that’s right I’m in Oregon!”
And it’s on like that oo oo oooooo”

“We be rockin’ the spot, take a walk to Tablerock,
With the psychedelic visions, skinny dippin’ in the Umpqua,
Some call it Oregon but I like to call it heaven,
Beautiful trees and water falls, a never ending blessing!
Blackberries by the pounds, supply stock year round,
And we bury underground so that they can’t see it now (hey!)
We never worry about the coy undercovers,
Too busy sippin’ on dutch brothers to ever catch us runnin’ from ‘em!”

The music of this brilliant lyricist could best be described as a Sublime cover, with a dash of 311 thrown in.  I assume the reason why this song gets so much play on “The Rogue” because, hey, the lyrics are like, about the Rogue Valley.

The reason why modern rock stations have been reduced to playing dulled out, monotonous, completely forgettable songs is because young adults buy it.  (On a side note, Puddle of Mudd is a clear Nirvana rip off- Nickelback a Creed rip off, Creed a cheap Pearl Jam rip off.)  And young adults buy cheap music more than some of the better bands out there right now, say, Black Keys, White Stripes, or Radiohead, probably because they don’t know any better.

In turn, the radio has fallen under a sort of censorship, one the FCC couldn’t have hoped to do itself.  There should be no worry from parents these days that rock and roll is telling our children to rebel.  At worst, modern rock tells our youth to buy things, swagger, and express a vague sense of angst.

The resulting censorship by business model is what keeps me flipping through my presets, trying to avoid accidents, hoping for that ’90s grunge song peak before rock and roll declined.

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Interview with Dr. John Kalb

Dr. John Kalb is a Chiropractor and Wellness Coach practicing in downtown Ashland, Oregon.  He is the author of two books, Steamed Greens for the Spirit and his new one, Winning at Aging, which will be on shelves in June and available from Amazon in September.  Dr. Kalb’s book has been given a rave review by Harold H. Bloomfield M.D., who has had 14 books on the bestseller’s list and been a guest on Oprah and Larry King.  Bloomfield’s review reads: “Dr. John Kalb’s book is a veritable treasure trove of powerful, practical strategies and advice for youthing and aging gracefully. Please, do yourself a favor and read it.”

MR: What is your educational background?

JK: I received my Bachelor’s of Arts from New York University as part of a Pre-Med program.  My major was Psychology and my Minor was in Chemistry.  For Graduate school I attended the University of Buffalo and got an Interdisciplinary Master’s of Science in Natural Science and Math. My concentration was Organismal Biology but I usually say Developmental Biology because no one seems to know what “Organismal Biology” is. I’ve also done post-graduate training in herbology, clinical nutrition, and gerontology.  Later on I decided against the medical profession and started studying alternative and natural healing.   This led me to Chiropractic Medicine and acupuncture.  I graduated from Western States Chiropractic College in 1981. I teach a wide range of workshops on successful aging and on physical and emotional healing.  I’m also certified to teach secondary school, grades 7-12, in math and science from U of B.

 

MR: Why did you decide to supplement your current career as a Chiropractor with writing?

JK: The biggest reason was that I got frustrated with patients coming back with the same problems and asking me for advice about healthy lifestyle changes, for instance, how to exercise, stretch, and change their diet.  Most people would self-sabotage and weren’t following through with what they knew they should do or wanted to do to improve their lifestyle.  From my psychological training, and other workshops I had taken, I came up with a process to help people over come that state of mind.  I called it the “Wellness Process” in the first book and the “Self Sabotage Solution” in the new book. This process was the basis of “Steamed Greens for the Spirit,” which I self published in 2004.

 

MR: Why did you self publish your first book?

JK: I wanted to get it out quickly and I didn’t think I had a great chance of getting a professional publisher.  I didn’t know if I wanted to go through mailing out query letters and the manuscript and getting all of the rejection letters I that I suspected I might get.

 

MR: What has it been like working with White Cloud Press to publish your second book, “Winning at Aging?”

JK: Overall a great experience, but it is taking longer than I would like working with them because of the nature of the publishing industry.  I chose them because they are local, have high integrity, and I really trust them – they believe in what they are doing, and I believe in what I am doing.  They have the extra keys to help me make a better book – formatting, book cover, positioning of the book – their expertise is invaluable.  Also, I want this book to go outside our local valley and have a wider reach than my first book.

 

MR: How did you come to work with White Cloud Press?

JK: I mentioned my book to an acquaintance and he offered to talk with Steve Sendar and tell me if he was interested in my project.  Then I sent Steve Scholl a pdf file of my book.  It was mostly written by the time I got it to them and in pretty good shape.  We have been negotiating for quite a while to come up with a contract, because according to the big boys I’m an unknown, so they don’t want to take any risk on me.  Right now we have a hybrid arrangement where I am paying for the production costs and they are providing their expertise and their marketing channels.  The book should be to the printer by the end of the month. We’re working on the book cover designs now.

 

MR: How does self-publishing differ from working with a small, local press and which process do you prefer?

JK: I like it better than self-publishing because there is a lot less busy work.  Self-publishing involves a lot of footwork.  I sold my first book to patients and people in workshops.   White Cloud does more internet media, social marketing and book touring.  I’ll be touring a lot more, from going to Author’s Night at the local library, to doing a signing and reading at Bloomsbury.  I’m also planning on going to Portland, Seattle, and Bellingham in the summer and to California in the fall and possibly to New York.  My book comes out on Amazon in late September.

 

MR: How long have you been writing?

JK: My first book was written in 2003, I have also written newspaper articles and newsletters for patients.  What has really improved the second book is that my wife has taken UC Berkley’s online certification in copyediting, a four module course that is well respected around the world.  She has taken the course and editing the book while I was writing it.  I also have friends who are good writers who have turned me on to a few books that have helped my writing.  The feedback I’m getting in particular from a Professional Writer/Ghost Writer friend is that my writing has greatly improved since my first book.  Also, my father was an English professor but he was a frustrated writer, so I suppose I’m carrying on the tradition.

 

MR: What is your writing process like?  (How many hours do you write per day or where do you most like to write?)

JK: I’m really not that disciplined. I only work five half days per week at my chiropractic office and have more free time.  I only type with two fingers, it wasn’t until about a year and half ago that I got voice activated dictation on my computer, and that really helps. I write in my off time. When I am really inspired I will write before work, after work, and on the weekends.   When I went through a period where I was uninspired or blocked and I would use that time to research until I got a really good idea and became inspired again. The beginning of each chapter is really hard because it’s like having blank page syndrome; I really had to wait until I got a good idea, an angle, a creative spark.  A chapter feels like a whole book, I had to have a direction for it.  That was challenging.  Once I got the idea it would flow out really well.  At certain times I managed to write and say things that I had no idea where it came from. I would get into an elevated state of inspiration and these great words would just fall out.  I guess my writing habits are determined by inspiration striking and in between those times I would research.  I also feel that keeping healthy is part of my writing; I keep my body, brain, emotions and spirit as healthy as possible.

 

MR: What type of writing do you most enjoy?  I know that you have published several articles on health, but have you expanded your horizons to any other genre?

JK: So far just this field.  I write a little poetry on and off just for fun. I am kind of fantasizing about writing a play or a movie or a novel but that is pretty farfetched at this point.  I am thinking of writing a series of health books.  I try to take things one at a time, this is only my second book but I may be co-writing another book with a medical doctor on balancing stress, toxins, and hormones.  The first thing I ever published was my Master’s experiment in a peer reviewed journal in 1974.  Being a writer is a role I’m just starting to feel comfortable with, but I hope it will be a big part of my future.

 

MR: Being fairly new to the writing and publishing business, where do you think the future of books is headed?

JK: I think the wave of the future is more self-published books, ebooks, and hybrid published books.

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Oregon Humanities Magazine–Here, Now

The 2011 fall/winter issue of Oregon Humanities magazine is going to be on the theme “Here.”

Editor Kathleen Holt and her editorial board are interested in nonfiction that explores human relationships to place.

How do important places shape and our identities? (I’m thinking of the John Gorka song “I’m from New Jersey. I don’t expect too much. …”) Do places or local artifacts calls us to them (my wife and I once spent a long day looking for relocated WPA postal murals in Denver)?

More broadly, what does regionalism entail? What is the impact of localism, globlism or glocalism for that matter? (Think glocally, act glocally.)

Oregon Humanities is interested in work that explores “Here” in any of the disciplines of the humanites. You can check out their call for submissions, er, here.

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This week in Ashland: Paulann Petersen and Simon Wood

Last Thursday, Oregon’s Poet Laureate Paulann Petersen visited Ashland during her southern swing. She read from her recent book Voluptuary and talked about the inspiration she’s gotten from Walt Whitman and Turkish poet Nazim Hikmet (check out Hannah Darling’s interview with Petersen in the Ashland Daily Tidings and the Medford Mail Tribune).

I didn’t know much about Hikmet before but learned about his influence on Turkish poetry—taking the traditional poetic voice away from the Ottoman style by establishing a Whitmanesque lyrical voice for social justice. And I learned that Hikmet spent decades in prison for sedition by poetry.

The Sultanahmet Prison in Istanbul, where Hikmet was jailed, has been converted into a luxury Four Seasons Hotel. Really. For a time, the hotel boasted that some of Turkey’s finest writers had stayed there.

When Petersen read her poem The Four Seasons, my mind stuck on the idea of a prison being made into a luxury hotel. Who is less free, I wondered, imprisoned writers or well-heeled tourist? It’s an idea that loses something the more prosaically you articulate it, but shines grimly as a poetic image.

On Friday, thriller-writer Simon Wood visited Bookwagon and taped an episode of Ashland Mystery RVTV Noir. Simon is an Englishman who’s a former racing driver and pilot. Simon is also an oil engineer by training and he described his fiction in those terms—he looks for the ways that very plausible ideas can go very wrong. And hearing about Simon’s latest novel Terminated, I was struck by his idea that a few bad days and a few small slights may be all it takes to turn the most of us down the road to perdition. Yikes.

Simon has also written the multimedia story Lowlifes, which features story told in novel form, video and blog, each from a different character’s point of view. And with his forthcoming Did Not Finish, he’s beginning a mystery series set in the world of auto racing. Look out Dick Francis.

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