Celebrating Ashland Authors this Poetry Month

It’s poetry month, so it seems like a good time to celebrate Ashland authors. Here is list of nearly 200 of them, It’s a first-pass, work in progress, hopefully to be updated, revised, corrected, and expanded periodically. (any students need a project).

I’ve marked SOU faculty with a ֎ and designated those who have passed with a , and I’ve left in authors who have since left Ashland for other cities. I’ve included SOU and Ashland High alums. Feel free to reach out with suggestions, corrections, etc.

James Adams

Julie Akins

Eric Alan

Alma Rosa Alvarez ֎

Ellie Anderson

James Anderson

Dori Appel

Jackie Apodaca ֎

Bobby Arellano ֎

Kay Atwood

Les Aucoin ֎

Lee Ayers ֎

Erika Bare and Tiffany Burns

Bruce Barton

Marni Bates

Edwin Battistella ֎

Hilde Baughman

Mike Baughman ֎

Fayegail Mandell Bisaccia

Rick Bleiweiss

Sophia S. W. Bogle

Vaughn Bornet ֎

Jonah Bornstein

Christopher Briscoe

Sara Brown

Dan Bulkley ⸸

Allison Burke ֎

Mary Jane Cedar Face and Maureen Battistella ֎

Sandy Cathcart

Shannon Celebi

Meera Censor

Diane Chopin

Karen Clarke ֎

Brook Colley ֎

Paul Condon ֎

Kit Crumb

Matt Damon

April Daniels

John Darling⸸

M J Daspit

M J Daspit and Eric Weisinger

Martha Darr

Tod Davies

Sharon Dean

Brooke DeBoer

Angela Decker

Pam Dehnke

Steve Dieffenbacher

Alice Di Micele

James Di Properzio

Thomas Doty⸸

Hal Dresner⸸

George Dohrmann

Martha Dow

Rosemary Dunn-Dalton ֎

Linda West Eckhardt

Herman Edel ⸸

John Enders

Jennie Englund

Gordon Fee

R A Finley

John Fisher-Smith

Jamie Ford

Mitchell Frangadakis ֎

John Frohnmayer

Rebecca Gabriel

Gangaji

Bill Gholson ֎

Mark E Gibson

Ken Goddard

Jeff Golden

John Michael Greer

Zane Grey⸸

Paul Grilley

Josh Gross

Patty Groth

Johnny Gruelle⸸

Charlotte Hadella ֎

Nathan Harris

Robert Harrison ֎ ⸸

S. Barbara Hilyer

Irene Hollenbeck

Ric Holt ֎

Jean Houston

Zeke Hudson

Dorothy B Hughes ⸸

Morgan Hunt ⸸

Lawson Fusao Inada ֎

Dean Ing

Darrell James

John Javna

Eli Jaxon-Bear

Janis Johnson

Irene Kai

Scott Kaiser

John Kalb

Darrell Kastin

Ken Kempner֎

Andy Kerr

Forrest Kline

Erica Knotts ֎

Bill Korn

Barry Kraft

Ron Kramer

Mark Krause ֎

Art Kreisman ֎ ⸸

Patricia Kyle֎

Betty LaDuke ֎

Winona LaDuke

Jeff Lalande

Frank Lang ֎

Gary Lark

Kit Leary and Amy Richard

Leonard W Levy⸸

Cherstin Lyon ֎

Victor Lodato

Mitzi Loftus

Amy MacLennan

Mary Z. Maher

Mary Z. Maher and Alan Armstrong ֎

Jane Maitland-Gholson

Amira Makansi

Diana Maltz ֎

Lisa Manyon

Jennifer Margulis

Melissa Matthewson

Karen McClintock ֎

Sean McEnroe ֎

Sharon Mehdi

Bill Meulemans ֎

Amy Miller

Robin Miller

Geoff Mills ֎

Kasey Mohammad ֎

Virginia Morell

Daniel Morris ֎

Vladimir Nabokov⸸

Sharon Newman

Patricia Nichols

Michael Niemann

Marjorie O’Hara⸸

David Oas ֎

Sean O’Skea ֎

Harris Orkin

Harold Otness ֎⸸

James Pagliasotti

Margaret Perrow ֎

Joe Peterson ֎

Jim Phillips ֎

Dennis Powers ֎

J. Fraser Pierson ֎

Christine Raedeke

Midge Raymond

Tucker Reed

Brook Michelle Robinson

Clive Rosengren

Abbi Rosewood

Herb Rothschild

Mike Roussel ֎

Alena Ruggerio ֎

Mark Runco ֎

Michael Ruppert

Chris Sackett and Brook Friendly ֎

Shanell Sanchez ֎

Sonia Santiago

Steve Schein ֎

Steve Scholl

Sandra Scofield

Holly Searcy

Susanne Severeid

Richard Seidman

Mary Ann Shank

D. L Smith ֎

Ryan Stalder

Ransom Stephens

Brystan Strong

Vicki Sturdevant ֎

Carey Jean Sojka  & Kylan Mattias de Vries ֎

Octavio Solis

Ryan Stalder

Paul Steinle ֎

Victoria Sturtevant ֎

Diane Tegtmeier

Ralph Temple⸸

Barry Thalden

Molly Tinsley

Pepper Trail

Barbara Tricarico

Alda Turign

Marj Tveskov ֎

A. T. Veach

Dale Vidmar ֎

Barry Vitcov

Dustin Walcher ֎

Neale Donald Walsch

Greg Walter

Lucretia Saville Weems

Sam Wheeler

Michael Wilkinson

Bernard Wilson

Ruth Wire

Patti Wixon⸸

Vince Wixon

Tim Wohlforth⸸

Craig Wright ֎

Jan Wright

Precious Yamagouchi ֎

John Yunker

David Zaslow

Debra Gordon Zaslow

Gary Zukav

 

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Alter Ego, A Myriad of Tongues, & High Desert, Higher Costs

Alter Ego by Alex Segura

Last summer I read the author’s Secret Identity, about women in the comics industry and the fictional Carmen Valdez, who created The Legendary Lynx for the minor-league comics company, Triumph Comics. She secretly teamed up with the artist to create the short-lived series, hiding her contributions from the editor and publisher. That was the 1980s.

In this sequel, three decades later, the protagonist is Annie Bustamante, a struggling filmmaker who grew up loving the Lynx. She’s given an opportunity to write and draw the reboot, but her artistic integrity runs afoul of the publishers’ attempts to cash in on the intellectual property. Questions arise about who owns the rights to the Lynx and before long Annie and her teenage daughter are trying to track down Carmen Valdez. It’s fast-paced, heart-warming story about grit and love for the comics medium, with plenty of inside comics lore and allusions.

A Myriad of Tongues: How Languages Reveal Differences in How We Think by Caleb Everett

I’d been wanting to read this for a while and it was worth the wait. It’s an erudite but accessible tour of language diversity and linguistic ideas. Part of the book’s point is that scholars have often dismissed some of the features of less studies languages in favor of the languages of Western, Educated, Industrial, Rich, Democracies (ironically dubbed WEIRD languages, to use anthropologist Joseph Henrich’s term). In doing so, linguistics missed much of the diversity of linguistic phenomena and of language itself. The writing is lively, with Everett introducing points through familiar situations. His discussions, draw from both his own work and recent studies by a variety of linguistics and anthropologists, show how the structure of language matches up with the structure of culture and in turn with factors such as geography, environment, and more. He is careful not to overreach with sweeping conclusions and thus readers come away with renewed excitement to explore some of the topics and sources further.

The other main takeaway, for me, was the way in which some ideas that had once seemed marginal are given new life by looking at diverse phenomena: the Sapir-Whorf hypothesis is one of course, but also the proposal of Charles Hockett connecting agricultural societies and a preference for labiodental sounds, as well as Zipf’s Law and its further elaboration by Steven Piantadosi and colleagues.

Among other things, Everett discussed the ways in which languages conceptualize time, space, and geography, the organization of kinship terms, color terms, and words for smells, evidentiality, sound symbolism, idioms and constructions as drivers of grammar, and the familiar topic of recursiveness.

A Myriad of Tongues will interest both linguists and general readers.

High Desert, Higher Costs: Bend and the Housing Crisis in the American West by Jonathan Bach.

This book, by a Portland Business Journal writer on the housing and real estate beat, is timely, well-researched, and evocative. Bach begins with a personal tale of his parent settling in Bend, Oregon, and finally buying the house of their dreams. But it is a dream now denied to many. He draws on the stories of housing activists, political leaders, developers, and ordinary folks and to explore the political legal, cultural, and economic issues around housing in the central Oregon city of Bend. Bend was once a relatively underpopulated recreation paradise and has quickly transitions to typify the housing crisis of the West: it’s a story of stagnating wages, increasing prices, a housing market that is hostile to the working middle-class, and of vacation rental investors, corporate greed, and gentrification from “amenity workers.” It’s also the story of Oregon’s land use policy, NIMBY attitudes, , and the shortage of developable land. Bach’s work is important and not just for Oregon: Bend is not alone in this; it is among the many Zoom towns populating the West—places like Boise, Bozeman, and Boulder, so the narrative he describes is a cautionary tale that is important to attend to.

 

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Rebel Queen: The Cold War, Misogyny, and the Making of a Grandmaster

Rebel Queen: The Cold War, Misogyny, and the Making of a Grandmaster. By Susan Polgar (Grand Central, March 2025)

Susan Polgar with Mikhail Gorbachev and Anatoly Karpov at the Chess for Peace event in Lindsborg, Kansas.

Susan Polgar’s Rebel Queen is a sparking memoir by the oldest of the famous Polgar sisters, the Hungarian siblings who changed the public face of chess. Arriving just in time for Women’s History Month, the story begins with an educational experiment carried out by their father, Laszlo Polgar, who thought he could stimulate genius by training children from a young age in something the child enjoyed. Susan enjoyed math and chess—but liked chess more ever since she stumbled across a chess set thinking the pieces were toys.

With his wife Klara’s help, Lazlo trained young Susan, coaching her systematically with puzzles and at the age of 4 she was off to the chess club, beating all manner of players and winning the first of many tournaments.

The book recounts the many difficulties she and her family faced—and faced down—in competing not just with other players but with the rigid ideologies of the communist system, with the Hungarian chess establishment, with antisemitism, and with sexism. The government of Soviet-dominated Hungary did not take to Susan’s being homeschooled by her parents, even though they were licensed teachers. The chess establishment did not think she should be allowed to complete in boys’ and men’s tournaments, and Women’s Grandmaster Zsuzsa Verőci, once Hungary’s top female player, tried to stymie young Polgar’s career. But by 1984 Susan became the top ranked women player in the world, at the age of just 15. The international chess association FIDE was often unhelpful, once awarding all women players except Polgar 100 bonus rating points, their twisted logic being that Susan had gained her points playing men so had already benefitted from their higher ratings.

Susan Polgar persevered, remaining ranked in the top three for the more than twenty years. In 1986, she became the first women in history to qualify for the Men’s World Chess Championship cycle, she won the World Blitz and Rapid Championship in 1992, and was the Women’s World Chess Champion from 1996 – 1999.

She was also a chess teacher and coach. When her younger sisters Sophia and Judit came along, she helped train them as well, and the trio  came to dominated chess Olympiads (the Olympics of chess), beating the Russians. She recounts the bad behavior of some male players, when they lost to her, but also some whose attitudes about women in chess were changed by her success.

Polgar eventually emigrated to the United States, found her life partner, Paul Truong, and her passion to be a chess coach, first at Texas Tech University, where a new administration did what academic administrations do (cut the funding), and later at Webster University where she enjoyed a nearly ten-year run as head of the Susan Polgar Institute of Chess Excellence (or SPICE) and led her teams to seven consecutive Final Four Championships. We learn about her coaching style and techniques, and about her interests in travel, languages (she is an Esperantists), fitness, and fashion.

Polgar with Boris Spassky

It’s not just about her. Along the way, Polgar also treats readers to glimpses of some of the chess greats of the twentieth and twenty-first centuries: Mikhail Tal (who showed her “nothing but warmth and kindness” at an early age and “peppered [their blitz] games with jokes and funny observations,” Boris Spassky (who exhibited “wry, knowing humor”), Victor Korchnoi (who told her not to let the chess authorities destroy her), and Bobby Fischer (who introduced her to his Fischer Random chess and became a good friend until his antisemitism drove them apart). Also featured in anecdotes are Anatoly Karpov, Viswanathan Anand, Wesley So, and more, but there is not so-much inside chess as to get in the way of the story and Polgar does a nice job a narrating her games as dramatic sporting events, without the clutter of games scores and diagrams.

I would have liked a bit of a postscript on sisters Sofia and Judit Polar, the younger siblings who became Susan’s first pupils. Bit it turns out they have autobiographies as well, so I’ll have to check them out. In all, Rebel Queen is the engaging story of a trailblazer who changed the face of chess.

 

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What I’m Reading: Sandlin, Stephenson, Šipka, and more

Sweet Vidalia by Lisa Sandlin

When Eliza Kratke arrived home one die, she finds her husband, a railroad man, clutching his chest near his car. After a harrowing car ride to the hospital, he dies. Then it turns out that he has been living a double life and has drained their accounts to support a second wife. Eliza’s 30-year marriage is over and she’s determined to make her own way, selling her possessions, renting out her house, and rebuilding her life. She moves to a low rent motel called the Sweet Vidalia Residence Inn, which will take her dogs as well, and enrolls in business college, becoming a stand in mom for a cast of neighbors and fellow students. It’s a briskly-paced tale of a woman for doesn’t just cope when her life is turned up-side down, but finds her true strengths and thrives. Sweet Vidalia a coming-of-age-novel about a woman in her fifties, with engaging characters, crackling dialog, and a protagonist you won’t forget.

We’re all suspects on this Train by Brian Stephenson

An homage of sorts to Murder on the Orient Express, Stephenson’s novel is set on an mystery book festival that takes place on a train travelling across the Australian outback, where struggling writer Ernest Cunningham is working on his second book, a sequel to his (and Stephenson’s) Everyone In My Family Has Killed Someone. As luck would have it, one of the writers, a surly drunk, winds up dead, and Ernest and the others investigate. It’s partly a send up of publishing and full of mystery novel tropes which Ernest invokes as metacommentary as he tells the story. There’s both direction and misdirection and plenty of fun. I’m going back to read Everyone In My Family Has Killed Someone.

Water, Whiskey, and Vodka by Danko Šipka

Šipka’s book is an introduction to Slavic linguistics for general readers, which is a bit of an oxymoron. But the book is as accessible as possible requiring a minimum of background in linguistics or Slavic languages (but some). Šipka’s treats the history of the Slavic languages, from Indo-European fotward, the sound system, including the complex palatalizations and yer-vowels, morphology, borrowing from language to language, literacy, orthography., and more. There is even a chapter on celebrity Slavic linguists. In the chapter on “language wars,” the author steers clear of the relationship between Ukrainian and Russian though he gets into some of the other political issues of language and identity. As for the titular water, whiskey, and vodka, in case you were wondering, refers to the etymological connections among the three. All are from the Indo-European root. You can raise a glass to Šipka’s story of the Slavic languages.

The Wife, the Maid, and the Mistress by Ariel Lawhon

I grew up hearing references to the missing Judge Crater (mostly, I think, in comic strips—he was the Jimmy Hoffa of his day). Ariel Lawhon offers a fictional retelling of Crater’s disappearance, with prominent roles to a trio of women: his long-suffering spouse Stella, his mistress Ritzi, and the Craters’ maid Maria, who is the wife of a police detective and has a second job as a seamstress. There are gangsters, crooked politicians, crooked cops, and showgirls. Lawhon builds the story by tacking back and between the present and past events, keeping the reader a bit off balance. In the present days, Crater’s widow Stella is finally revealing the whole story to retired detective Jude Simon, Maria’s widower. In the past narrations, we get the story though the eyes of Stella, Maria, and Ritzi. An engaging bit of historical fiction, but I was a bit underwhelmed at the ending.

Down Cemetery Road by Mick Herron

It’s starts with a contentious dinner party interrupted by house exploding down the block. Sarah Tucker, a young housewife who is bored and at loose ends as a wife, becomes obsessed with the missing child who survived the attack. With the help of a local private detective she sets out to find the missing girl, running into roadblocks and cover ups. When the detective is killed, she joins force with a mysterious Eventually she joins force with a mysterious ex-military man dying after being exposed to secret military testing, and the two of them, together with the detective’s partner, track down the girl. It was a good story, but I was hoping for something a bit more in the vein of the Slough House series, though Gerard Inchon, the unlikable client of Sarah’s feckless husband, feels like a prototype for Jackson Lamb. I’ll continue the series, but won’t rush off to buy them.

The Bear Went Over the Mountain by William Kotzwinkle

This was a bit of a disappointment, except pt for some of the dialogue. The satire seemed a bit over the top. A bear finds a novel buried in the woods by a hapless English professor and passes it off as his own, creating the persona Hal Jam and getting an agent and publisher and the attention of Hollywood. The professor meanwhile hibernates in the Maine woods, eventually emerging to sue to reclaim his work. I got a bit bored with it but it reminded me of the later novels, The Plot (and its sequel The Sequel) as well as Yellowface.

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