E-Readers & the Reading Experience

A guest post from Carly Parce

E-readers have made quite the impact on readers since Amazon came out with the Kindle 1 in November 2007. Last December Barnes & Noble announced its online e-book sales outnumbered sales of hard-copy books for the first time. A March 2011 survey also found the collected sales for e-readers worldwide had reached 12.8 million in 2010. With this digital revolution in place, one often wonders what is in store for book lovers.

I have never managed to understand the demand for e-readers. Call me crazy, but sitting down to read a novel on a tablet with a screen in front of me is not appealing. Not to mention the fact that I don’t have the pleasure of listening to the pages turn, or even smelling them. And lucky for me, this sentiment rings true for countless avid readers, as books carry a sense of weight and connection e-readers simply cannot replace. As one such reader exclaims, “An iBook, e-book, Kindle file, whatever you want to call it, has no character as an object, no concrete expression of the history behind it.” Books keep us in touch with the original time period they were written in, while a Kindle, try as he might to bring that history to light, will only keep us moving forward in time.

Supporters of e-readers make the claim they are better for the environment because they do not use any paper. But what they don’t tell us is small handheld electronics such as the Kindle are involved in most illegal mining today. And this illegal mining usually occurs in economically depressed countries with environmentally depressing methods. These handheld electronics also account for more carbon emissions than even the airline industry. One e-reader does the environmental damage of fifty books, and when we factor in the fact that most people replace their e-readers in two years or less, this number is greatly increased. The Kindle may have brought the age of technology to new heights, however it also aided in the destruction of the environment.

Even with the flood of evidence showing the negative effects of e-readers, the supporters are still not deterred. Teacher William M. Ferriter believes e-readers aid his students in the classroom because the text can be enlarged, so the students feel as though they are reading more. But since the students are not actually reading more, we wonder where the positive effects of this reading experience come in. And other supporters often use this argument devoid of reasoning as well. E-readers have made it easier to buy books, as well as decreased the price. But how much does this really aid the reader? Is she experiencing more from her reading or finding some deeper meaning? I am going to guess she simply enjoys the convenience factor. And in the process she has completely forgotten reading is an art form which should remain free of technology contained in leather covers and dusty library shelves.

[Carly Parce is a student at Southern Oregon University studying English Education. She hopes to educate students in a way that will keep books alive and strong.]

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25 ways e-readers can’t beat books

A friend just posted this link on Facebook, and I thought it particularly relevant to our class:  25 ways e-readers can’t beat books.

The read is more fun than anything, as the arguments most of the points make are based on nostalgia, on the perception of books that a culture raised on books have.  For example, number 9: “The book can be autographed by its author.”  It isn’t necessary for books to exist just so we can have them autographed.  It’s awesome, and who doesn’t love owning autographed books, but it isn’t functional.

There are some valid points such as number 14: “The book’s printed editions are traceably distinct, a defense against manipulations of fact or history.”

Then again, some points are just silly or vain: “The book complements your mantelpiece.”  *facepalm*

It is a fun read though, and for the traditional book lovers among us, it brings up some good stuff.  I understand that e-readers will become much more commonplace, but I doubt that the book-book will ever die out (maybe that’s wishful thinking, but then again maybe people like me will keep the book-book going for as long as possible).

Oh, and the comment posted on the website makes some good points in opposition to the author’s statements.  Not all the arguments are great, but worth a read.

Another afterthought: I noticed the article used the word “ephemera.”  Ever since the man from Ephemera (sorry, I can’t remember his name) visited our class, I’ve been seeing the word EVERYWHERE.  One of those things.

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Tim Maleeny on Jump

Here is a clip from my Ashland Mystery interview with author Tim Maleeny from May 2010. Among other things, we were talking about his book Jump, which the Boston Globe described this way: “If you threw in the air the pages of Agatha Christie’s Murder on the Orient Express and Elmore Leonard’s Get Shorty, and then invited Monty Python to stitch them back together, you might end up with something like Jump, Tim Maleeny’s hilarious novel.”

By day Tim Maleeny is the head of Strategic Planning at the New York ad firm Ogilvy & Mather. He has a degree in computer science from Dartmouth and an MBA from Columbia Business School.

Watch for more Maleeny clips later this year.

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Cassandra Carper interviews Devin Mahoney


Here is Cassandra Carper’s interview with Devin Mahoney, the Operations Manager at Blackstone Audio. Enjoy!
CC: Tell me a little about yourself.
DM: I grew up in Ashland and graduated from Ashland high. I then did a year at SOU and 2 years at Lane Community College, while also taking some classes at the U of O. I was planning on finishing college and getting my degree but instead I started working at Blackstone about 10 years ago, starting at the bottom and slowly working my way up. Along the way I had the opportunity to work in several different departments which has given me a great perspective. I originally worked at Blackstone right after high school because one of my good friends got me the job. A few years later when I came back it just happened to be a good fit and also good timing as the company was on the verge of really expanding.

CC: Do you have a favorite book/audiobook?
DM: It is very hard to pick a favorite but it seems I always come back to Zodiac by Robert Graysmith and read by Stefan Rudnicki. It is the only audiobook to ever really scare me. The story is creepy but the reading by Stefan just enhanced the overall feel.

CC: What does your job entail?
DM: I do a little bit of everything. I handle all HR matters such as hiring, firing, reviews, raises, resolving issues between staff, etc… I also do a lot of contract negotiations with our special projects. Most of the remainder of my time is overseeing operations, which can be as simple as arranging to have a plumber come in to fix a leaky faucet or as complicated as planning and managing our annual book sale event (food, bands, product sales, volunteers, etc…).

CC: What is your favorite part of your job and the least favorite part of your job?
DM: One of my favorite parts of this job are the relationships with coworkers and being in the position to help solve problems. The least favorite part of my job is having to let someone go for whatever the reason, it is always very hard to do especially in today’s economy.

CC: Who is the primary audience for Blackstone Audio?
DM: The primary audience is 40 and up, but with downloads always increasing the younger market is expanding.

CC: How long does it take to make one audiobook?
DM:It all depends on the narrator and the complexity of the book. From recording through to shipping, one ten-hour book could take 30 to 50 hours, while another ten-hour book could take a couple hundred hours.

CC: What types of audiobooks does Blackstone make? Fiction, non-fiction?
DM: We try to do a little bit of everything. The more options we can offer our customers, the better.

CC: What is the basic process for making an audiobook?
DM: The process starts with acquiring the rights to the audio. Then the book is researched so we can make sure we record with the correct intentions and cultural nuances. The next step is recording the audio and then proofing the audio. Once the audio is finished being proofed and any and all corrections have been made our audio engineers will put on the final touches and cut the book up into several different formats ( ie. cassette, cd, mp3, digital downloads). When our hard good formats are ready we then duplicate the discs, tapes, or mp3’s and then package and ship them. When the download versions are ready we upload the content to our download partners so they can downloaded off any one of their sites.

CC: Where can people purchase Blackstone audiobooks?
DM: Our audiobooks can be purchased in our lobby here in town or online as digital downloads through any one of our many digital partners including Audible.com. You can purchase some of our titles as iPhone apps through iTunes, with our Android app as well as others to be released soon. You can also purchase our tiles at many retail chains such as Barnes and Nobles. The other place you may find our books is in your local library.

CC: Does Blackstone sell more audiobooks online or in stores?
DM: In the last couple of years the download market has surpassed the hard goods sales and we only expect that trend to continue.

CC: Will the change from paper books to electronic books change the market for audiobooks?
DM: Most definitely, we see that change as an opportunity for us to grow our business even more. We believe there is a way to combine both audio and ebook in one digital product that appeals to both markets. Coming soon….

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