The Week in Review

It’s been a busy week in Literary Ashland. First off, congratulations to Ashland’s Jennifer Margulis, who’s been awarded a prestigious Senior Fellowship at Schuster Institute for Investigative Journalism at Brandeis University.

This week featured an SOU Emergent Forms reading by poet Nick Demske, which I sadly missed, and a Chautauqua Poets & Writers visit by poet Eavan Boland, who I didn’t miss. Boland gave a fine reading and two workshops, one for teachers and one for students. According to my napkined notes from the teachers’ workshop, she cautioned teachers to help students find their inner critics as writers but not to make them too superstitious of perfectionistic about writing. And she reminded us that teaching is one of the lucky jobs where you learn something every time you go to work.

And there was a provocative Friday Science seminar on art and science—Alissa Arp took us from C. P. Snow to E. O. Wilson. The discussion afterwards raised the idea (via Kasey Mohammad, but my paraphrase) that scientific revolutions overturn while artistic revolutions add on. I need to think about that some more. And an exchange between Bill Gholson and Peter Wu also got me to thinking of another dichotomy—that science seeks to understand what is out there while the arts seek to understand what is in here (so the Hubble telescope versus Tehching Hsieh, the performance artist who lived in solitary confinement for a year). The dichotomy I was thinking of seems overly simple, since cognitive science, for example, seems to try to do both, but this too needs more puzzling.

And tomorrow’s New York Times magazine features Sam Anderson’s article on Haruki Murakami. Don’t miss it.

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County Line

I stayed up late last night reading Bill Cameron’s excellent noir tale County Line, which relies on his trademarked story within a story structure. The book features his Skin Kadash and Peter McKrall and explains the mysterious history of Ruby Jane Whittaker. Here a clip from Ashland Mystery in which Cameron talks about his characters:

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Around the Corner: The Book Exchange

For those of you that are not hip with the latest Ashland bookstore gossip: The Book Exchange has changed locations from next door to the Standing Stone Brewery in downtown Ashland. It is now located, since November, across the parking lot of Wells Fargo between the minute mart and Tabu.

The Book Exchange is around forty years old, starting as Edna’s Book Exchange for the first twenty years. When I visited The Book Exchange on a warm summer evening, I had the chance to talk to Roy. Roy described the store as a “reader’s book store” because they carry books that people actually read. The walls are covered with classics, mysteries, romance, history and so much more. What I personally enjoy about The Book Exchange is the comfortable atmosphere is provides for customers. It feels like a house of literature or twisty maze of books that stack to the ceiling.

Roy shared his connection to books. He likes books and the type of people that are attracted to books. He also enjoys the culture of books and the physical nature of the books. The book business brings nice people around and Roy finds the bookstore a nice place to work. Out of all of the people I interviewed, Roy was the only one who told me that his favorite type of literature was everything; he reads anything and everything.

Roy’s response to my final question made me hopeful for the future of physical books. Despite Amazon’s revolutionary approach to selling books by concentrating book sales all in once place, Roy believes that “books will be around for a long time.” He explained that books don’t need batteries like a Kindle. Books are easier for research when the research projects requires multiple books. While major bookstores like Barnes and Noble suffer, used book stores may not feel that same pain.

If you have not made the time to visit the new Book Exchange or simply thought it had gone out of business, make sure you make time now! This place appeals to every type of a reader from small children to Sci-Fi readers. The supply is endless, completed with a reasonable price tag on the inside of each book.

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The Non-word of the Day

Over the summer I began thinking “What could I possibly tweet that would be interesting?” Here’s the plan. Beginning in January, Literary Ashland will tweet a non-word of the day. We’ll make up a word, and post its definition in 140 characters or less. And for you non-tweeters, at the end of each month we’ll do a round up of that month’s non-words and maybe even a vote for the non-word of the month.

So what’s a non-word? It’s got to be a new word (ideally), along with a meaning, in 140 characters of less. It’s not just words that aren’t in the standard dictionary. Ambiguate, from disambiguate, is not in Merriam-Webster’s but it’s a common backformation easily found in Wiktionary or Wordnik. So is underslept, the antonym of overslept. Even the wonderfully evocative bananus (the little brown part at the bottom of a banana that no one eats) shows up in the Urban Dictionary.

So the goal is to come up with things like chopportunity, meaning a challenge which is also an opportunity.

The new words will come in different linguistic categories naturally. A lot will be blends, in the tradition of Lewis Carroll’s chortle: chopportunity, bananus, etc. Some will be clippings, like rents from parents or nyms, from antonyms, homonyms, etc. Some will be neoclassicisms, like ergonaut or digerati. There will be backformations, like descript from nondescript and ambiguate from disambiguate and affixations—the addition of a pre-, suf- and even in- fix to create new words. We’ll propose some folk etymologies, eggcorns, and mondregreens, based on faux etymologies and mishearings. We’ll even try invent a new word type or two as we go.

Wordinistas, by the way, treat compounds and even phrases with idiomatic meanings, as words, loosely speaking. So from time to time, I’ll add a compound or hyphenated word. And occasionally you’ll see an acronym or initialism. I’ll try not to fudge too much. And I’ll resist the temptation to refurbish archaisms like bedoozle, as much as I like the word.

You can help by using (even abusing) the new non-words in your own speech and writing. And you can play along by sending suggestions for new words. There may even be prizes if your word is selected.

The idea is to have some wordfun. Publisher Bennett Cerf once described Groucho Marx as someone who … “doesn’t look at words the way the rest of us do. He looks at them upside down, backwards, from the middle out to the end, and from the end back to the middle. Next he drops them in a mental Mixmaster, and studies them some more. Groucho doesn’t look for double meanings. He looks for quadruple meanings.”

Free your inner Groucho with the non-word of the day in 2012. Coming soon at #LiteraryAshland.

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